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The spirit of a painting is very hard to explain and articulate. I can't say it's not intentional because that is the mark I'm trying to hit, however I don't feel I have much control over it.
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I don't really need to be inspired by literature though. At the end of the day it's colour and imagery moved around until it works.
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Women really like the horses, more so than men.
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A lot of my words come to me when I'm out and about as well, riding the bus or sat in the pub. I went through a stage of going to a strip bar called the White Horse at lunch times and did a lot of writing in there. They were fine with that but I don't know how they would feel about me setting up the easel.
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Some of my work is very instinctive, some of my favourite things I've ever done are just two minute sketches, nothing is better when you get it like that so quick, then other work takes months.
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If you can see a world within a portrait I would be happy with that. I don't want to tell the story with a painting, though. I'm trying to get away from the story- from the beginning and the ending. If you can see a world within a portrait I would be happy with that. I don't want to tell the story with a painting, though. I'm trying to get away from the story- from the beginning and the ending. If you can see a world within a portrait I would be happy with that. I don't want to tell the story with a painting, though. I'm trying to get away from the story- from the beginning and the ending.
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I have no way of knowing what you are going to feel when you look at one of my paintings; I only know what I feel.
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Sometimes I just want to sit and write at a clean table and not get paint all over my hands.
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Painting can be like poetry but as somebody who creates both I feel the necessity for both so they cant be that similar. Sometimes I think it's as basic as not wanting to get dirty.
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I used to use a lot of words in the paintings but stopped because it created a narrative - or an answer to a question.