Danny Jacob Quotes
Marylata [ Elton] introduced me to Hans Zimmer. Hans tapped me [to] work on songs for DreamWorks' animated features. I arranged Elton John's opening main title for The Road to El Dorado, I played guitars on Shrek for Harry Gregson-Williams and John Powell, I co-produced "I Can See Clearly Now" for Antz.
Quotes to Explore
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I'm from Maine. I eat apple pie for breakfast.
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Whenever a theory appears to you as the only possible one, take this as a sign that you have neither understood the theory nor the problem which it was intended to solve.
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The four walls of paper are like a prison because every idea wants to spring out in all directions - everything is connected with everything else, sometimes more than others.
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It is better to suffer wrong than to do it, and happier to be sometimes cheated than not to trust.
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For me every ruler is alien that defies public opinion.
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When I get dolled up to go out, men turn their heads and I'm used to it. But I think all women are sexy and should embrace that side of themselves.
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The NFL is my goal, not my dream. My dream is to have an impact on people.
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I suppose being quite young and being thrust quite dramatically into a large public arena skewered my vision of what it means to live and be a part of something.
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There is a certain aesthetic pleasure in trying to imagine the unimaginable and failing, if you are a reader.
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I spent some time in India and thought I might write about Hinduism. But it's so far removed from my experience I couldn't even get my mind around it to write about it.
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Oh, I was working occasionally in and out of New York.
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My formal speaking career began before a group of 10 third-graders. We drew pictures of my home in Rwanda. I told them about my mother's huge garden and our mango tree. The lessons I taught were simple. Play nicely. Take care of plants. Take care of people.
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My dad was a big Frank Zappa fan, so I remember listening to a lot of Frank Zappa. Girls do not like Frank Zappa.
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The earliest movies that I loved were French movies and Italian movies. I grew up watching those kind of movies and often find the truest looks at human nature - you can find them in another country's movies.
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In high school, I was always into Jerry Lee Lewis, and they decided they needed a piano player for the jazz band. I had my little boogie-woogie thing that I did, so I did my little boogie-woogie thing. I had a very high-pitched voice.
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When people say, 'You're perceived as a sex symbol,' I love the idea of that because it's so absurd.
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I have cotton or flannel sheets, depending on the weather. They have to be ironed, and I get my bed changed nearly every day.
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A film with an untidy plot cannot grip the audience and define their emotional response.
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We are all born as empty vessels which can be shaped by moral values.
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I love you - but don't touch me.
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My biggest song in the world is 'Nothing's Gonna Change My Love for You.' All over the world, it's number one on the whole planet.
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I'm sort of half-Chilean at this point anyway, half-Argentine. This is where I have been living and working for a long time now.
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I think jewelry is beautiful on all women and I think it's sentimental - and Disney is sentimental. It's subtle and it's low-key and it's just a sweet reminder of sweetness.
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Marylata [ Elton] introduced me to Hans Zimmer. Hans tapped me [to] work on songs for DreamWorks' animated features. I arranged Elton John's opening main title for The Road to El Dorado, I played guitars on Shrek for Harry Gregson-Williams and John Powell, I co-produced "I Can See Clearly Now" for Antz.
