Gerard Way Quotes
A lot of the other things in my life like making music, you know that's a very collaborative thing so I work on comics because it's not something that's a solo activity.
Quotes to Explore
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I know I should be Wonder Woman. They need an international actress - a fresh face. They need a woman who's tall, athletic and dark-haired - and an actress who can play the part. That's me. So, I'm coming to L.A. to work hard and meet the industry. And if 'Wonder Woman' comes together, I want it.
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Love is not the dying moan of a distant violin - it's the triumphant twang of a bedspring.
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We got orders to strike the Marshall and Gilbert Islands. We had a task force with the Enterprise. We had two or three cruisers and probably eight or 10 destroyers.
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A lot of people may know my face and know that I'm a good player on the football field, but they probably don't really know me as a person.
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Obviously, for me, story is first and foremost, even in the face of the attractive idea of having all the cast there, or having a great piece of talent come to it.
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I was born in Jerusalem in 1939 to a poor family that shared a rented four-room apartment with two additional families and their children.
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People don't slip. Time catches up with them.
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Sleeping is one of the more private aspects of parenting; it happens in a quiet room, whereas eating is a more public aspect of parenting. Other people can see it and compare it to what their kids eat.
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In giving freedom to the slave, we assure freedom to the free - honorable alike in that we give and what we preserve. We shall nobly save, or meanly lose, the last best hope of earth.
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We agreed to do it when I was drunk at his house one night, then on the day I had to have four large brandies - they didn't touch the sides at all. People just got on with it though. It didn't gather a crowd!
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One of the reasons people hate politics is that truth is rarely a politician's objective. Election and power are.
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I didn't have evil intentions, but I guess I did have power.
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'Floating Worlds,' which received a fair amount of attention when it was first published, deserves rediscovery.
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I moved to Milan when I was 15. I was always looking for something; I never really felt like I belonged where I was, so I went to live overseas.
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I'm able to shift gears from mom to performer to mom pretty quickly.
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I mean whatever I do it's important that I put my stamp on it and keep it in my world, whether I'm doing a dance track or something like the Russian album for example.
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My motto is never to hold on to anything. I accept and then let go: not just the negatives, but the praise, too. Or it'll get to my head.
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I tend to forget what I'm doing will ever be read while I'm writing it, and just get on with the task at hand.
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I'm a better editorial cartoonist by default because so many editorial cartoonists out there are so awful.
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The second is the structure and source of cults. They have always haunted me, and I wanted to explore the fundamental notion of giving up responsibility to an outside power.
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I would like to use stories as a springboard for children to make their own creative responses. I would like to encourage them to express themselves using music, art, film or whatever, and upload it to a website having been inspired by particular stories.
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What feeling feels like over time. An attempt to screw up what feeling feels like over time. Heartbreak and a high C.... The often welcome melodic lie.... The soul's undersong. The orchestration of randomness, a flirtation with the boundaries of silence and space.... a reminder that the self wants to disappear, be taken away from itself and returned.
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I was very insecure at the beginning of my career. I didn't value my talent. I would have probably skipped signing up for movies that I didn't want to do if I had understood that I had been accepted and people liked my work.
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A lot of the other things in my life like making music, you know that's a very collaborative thing so I work on comics because it's not something that's a solo activity.
