Taylor Swift Quotes
Quotes to Explore
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Anything worth doing is worth doing slowly.
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I don't really like to explain my songs.
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Many of the songs on Undertow were written at the time Opiate came out.
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I wrote poetry before I wrote songs, and T.S. Eliot was my inspiration. I love his honesty and try to bring that to my own songwriting.
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You could be worth $2 billion today and a half a billion tomorrow. It doesn't take much for this to disappear overnight.
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I'm potentially worth a lot of money, but I've got to go and make something that's worth a lot of money.
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I really believed that my songs were good enough for the whole world to listen to. I had fans from America or the U.K. who would be like, 'Oh my God, I love your music'.
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So many songs are just a wink to the audience, but people take them seriously. 'My Humps?' C'mon!
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I love writing songs.
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The biggest influence? I've had several at different times – but the biggest for me was Bob Dylan, who was a guy that came along when I was twelve or thirteen and just changed all the rules about what it meant to write songs.
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Heartbreak is hard, but you find more and more things to be grateful for every day.
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I never set out to write songs about the world around me... it just kind of came about as a result of paying more attention to things.
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I tend to name albums after one of the songs.
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I will just generalise it that anything that I find too disgusting is not worth an answer.
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'Moonlight' changed me. To see people so moved by this movie inspires me to find something else to offer. And maybe the next one touches only five people or maybe just one person. To me, you know, that would still be worth it.
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Education... has produced a vast population able to read but unable to distinguish what is worth reading.
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With my songs I tried to prove that there is love.
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Russell Crowe is very difficult, but it's worth it. He's the real thing. I can tell you this. Russell Crowe was just as difficult before he was an international star as he was afterwards.
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I'd love to say that I could write political songs, but I don't feel clued-up enough.
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Rahm Emanuel is, we are almost certain, a vampire.
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The comfort zone is the great enemy to creativity; moving beyond it necessitates intuition, which in turn configures new perspectives and conquers fears.
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Consider the many special delights a lawn affords: soft mattress for a creeping baby; worm hatchery for a robin; croquet or badminton court; baseball diamond; restful green perspectives leading the eye to a background of flower beds, shrubs, or hedge; green shadows - "This lawn, a carpet all alive/With shadows flung from leaves' - as changing and as spellbinding as the waves of the sea, whether flecked with sunlight under trees of light foliage, like elm and locust, or deep, dark, solid shade, moving slowly as the tide, under maple and oak. This carpet!
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A letdown is worth a few songs. A heartbreak is worth a few albums.
