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I always wanted to know, and I always used to daydream, about what it would be like to stand on a really big stage and sing songs for a lot of people, songs that I had written... Daydreaming was kind of my No. 1 thing when I was little, because I didn't have much of a social life going on.
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Anytime someone tells me that I can't do something, I want to do it more.
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My experience with songwriting is usually so confessional, it's so drawn from my own life and my own stories.
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A lot of people ask me, 'How did you have the courage to walk up to record labels when you were 12 or 13 and jump right into the music industry?' It's because I knew I could never feel the kind of rejection that I felt in middle school. Because in the music industry, if they're gonna say no to you, at least they're gonna be polite about it.
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I'm not a princess,This ain't a fairytale.I'm not the one you'll sweep off her feet,Lead her up the stairwell.This ain't Hollywood,This is a small town.I was a dreamer beforeYou went and let me down.Now it's too late for you and your white horseTo come around.
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I don't know how to have a normal relationship because I try to act normal and love from a normal place and live a normal life, but there is sort of an abnormal magnifying glass, like telescope lens, on everything that happens.
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All you need to do to be my friend is like me.
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I'm not afraid to write my feelings in songs.
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As supportive as my hometown is, in my high school, there are people who would probably walk up to me and punch me in the face. There's a select few that will never like me. They don't like what I stand for. They don't like somebody who stands for being sober, who stands for anything happy. They're going to be negative no matter what.
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For me, genres are a way for people to easily categorize music. But it doesn't have to define you. It doesn't have to limit you.
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I'm very aware and very conscious of the path I chose in life, and very aware of the path I didn't choose.
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If you're trying too hard to be the girl next door, you're not going to be.
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But, I've always loved John Mayer and I think T-Pain is brilliant.
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I was from a small town, and nobody really expects you to leave, especially before you graduate. That doesn't happen.
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When I was a teenager, my biggest lessons came from Kenny Chesney, Tim McGraw, George Strait, Rascal Flatts and Brad Paisley. I learned so much from opening up for those artists, and it also taught me how to treat your opening acts and make them feel like they're part of a family, not just a tour.
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I had the most magical childhood, running free and going anywhere I wanted to in my head.
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I don't compare myself to anyone else; I don't make comments about anyone else because they do what feels right for them, and that's okay by me.
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I can't deal with someone wanting to take a relationship backward or needing space or cheating on you. It's a conscious thing; it's a common-sense thing.
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Writing 'We Are Never Getting Back Together' was one of the most hilarious experiences I have ever had in the studio because it just happened so naturally.
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When I was 8 years old, it mattered what my favorite singer said and wore and expressed opinions about.
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Songs are my diaries; they always have been. You have to put your trust in everyone because putting down those real, personal details and thoughts that make a song authentic also opens you right up. I am constantly misunderstood; a lot of people just don't get me.
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But she wears short skirts, I wear t-shirts.She's cheer captain and I'm on the bleachers,Dreaming 'bout the day when you wake up and findThat what you're lookin' for has been here the whole time.If you could see that I'm the one who understands you,Been here all along so why can't you see?You belong with me;You belong with me.
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I have to write 100 songs before you write the first good one.
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I've never wanted to use my age as a gimmick, as something that would get me ahead of other people. I've wanted the music to do that.