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I think music naturally wants to be played with more than one person. There's a surprise element, and you don't know what it will be, and it's up to that other person's energy to help create this third thing.
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'The Haunted Man' is about communication barriers between men and women, and in that song it's a woman's wait for her husband to come back from war. The vision for me was of a group of men and women on the opposite sides of two cliffs, trying to move or sing to each other and communicate, but they're kind of misfiring.
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I have been listening a lot to The Carpenters and Neil Diamond, Elton John, and thinking, like, 'God, it'd be great to write a sort of subversive, alternative ballad,' like Lou Reed does so well with 'Perfect Day.' And I really loved 'Video Games' - at the time, it hadn't really got as big, but it's a classic song; you can't deny it.
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When I was little, I grew up in a place called Hertfordshire, which is just near London, but out in the country, and I visited Pakistan in the summers to go and see my family on my dad's side.
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I'm not really frightened by experimenting - that's the main thing. I really like mixing very old beautiful pieces that are from thrift shops or that have some historical value with quite new futuristic things.
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I've hidden behind my hair more than clothes. Sometimes having long hair with a fringe is very useful when you don't want to look at people. I used to have very short hair, but long hair is my thing - a black nocturnal shield.
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I don't like to be too submissive in the way I dress. I like quite boyish things, so I hardly ever wear high heels.