Bat for Lashes Quotes
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To be a great artist, you need to know yourself as best as you possibly can. I live my life and delve into my own psyche. It's more about exploring how I feel rather than making pale imitations of something that came before. We are unique beings, and the way we look at things is our own.
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I think there's a karmic purpose that souls make before they decide to come into people's bodies and become someone's parent, or become someone's child. Maybe my dad disappearing was his way of giving me material with which to work, or a predisposition to feel heightened emotions.
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There's something in me that loves to inspire people: when I'm playing music, I imagine all this sparkly stardust going through everyone. I want to make people come alive.
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I get people being frightened of me. One time I did this photo shoot where I had hairy armpits – I was really digging it, but they were like, 'We'll airbrush that out.'
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I get invited to premieres, and I've been to a few fashion shows and stuff, but I always get really bored. I feel quite awkward. You have to wear something by them, and it all feels like, 'Why am I doing free advertising for you?'
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When I finished touring 'Fur and Gold,' I was just like, 'What am I doing? What do I have? Where is my home?' I didn't really know where it was, so I went to New York to try and make it there.
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I feel empathy for people who are trapped in a prison of self-consciousness in an uncomfortable way. We can be free, but we're so held back. So perhaps that's why I feel a duty to make my work. I feel liberated when I'm doing it, and I want other people to feel liberated through it.
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There's this label called Neurotica by these sweet girls that have given me some lovely things to wear, and we might collaborate on making a little piece. They're really lovely, and I think they've been quite inspired by me in turn.
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It can be frightening to turn your back on what others think is right. But I'm not the same as a lot of people - I'm quite artistic and quite eccentric sometimes. If you honour that, you fit into yourself better - and people accept you for what you are.
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I find the world pretty overwhelming, so I'm getting into meditation and doing lots of yoga. And I love my garden, and I love nature, and I feel like that grounds me and keeps my mind clear.
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I live in a Moomin house in East London which I fill with blankets and nice crockery and get people round for dinner. When you travel a lot, you feel rootless and adrift - this is my sanctuary, where I can breathe out.
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We are bits of energy floating about in various guises, and when we die we rejoin the big cosmic soup of the universe.
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I think Deborah Harry has a really sexy, cool and quite playful sex-kitten kind of style I really like.
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All of the art that I love is about peeling back layers and delving into something that's in a subconscious or dream realm. People like Jan Svankmajer, or the artist Yoshimoto Nara, or David Lynch.
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Mum says that, since I was a tiny baby, I've had the most strong-willed and stubborn personality known to man. Although that was a real pain for her, she admired my resolve.
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The record company doesn't know what to do with me, because I'm not a Lily Allen, but I'm not really an indie artist, either. All the best artists have been in the middle.
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I like it when people make an effort to wear things that you wouldn't normally put together - I like eccentrics.
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In the music industry, intelligence in women is undervalued.
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When I was young, I wanted to be a writer or painter. I was always writing stories, and I excelled at drawing. My teachers encouraged my art work. When I was 9 or 10, I began learning piano and started writing music.
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Mentorship is really important. I really like to talk to people who have been in the music industry much longer than me about artists' block, things I'm struggling with, or the music business. It's really important for artists to have a community. Sometimes you can feel quite isolated.
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I got really good input up until the age of 11, which is perfect. That's when adolescence starts, when I would have really wanted to rebel. Up until that point, though, it didn't feel like doctrine, and it gave me a great moral structure.
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Each album takes two or two-and-a-half years to finish between recording and touring. It's like being with an old boyfriend every single night watching the same things on TV. There is a world out there going on that I'm missing.
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I think music naturally wants to be played with more than one person. There's a surprise element, and you don't know what it will be, and it's up to that other person's energy to help create this third thing.
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I have been listening a lot to The Carpenters and Neil Diamond, Elton John, and thinking, like, 'God, it'd be great to write a sort of subversive, alternative ballad,' like Lou Reed does so well with 'Perfect Day.' And I really loved 'Video Games' - at the time, it hadn't really got as big, but it's a classic song; you can't deny it.