Gavin Lyall Quotes
Opinionated writing is always the most difficult... simply because it involves retaining in the cold morning-after crystal of the printed word the burning flow of molten feeling.
Quotes to Explore
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You rarely get satisfaction sitting in an easy chair. If you work in a garden on the other hand, and it yields beautiful tomatoes, that's a good feeling.
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The problem with writing a monthly book is that you're going through your work like a man running for a bus, red-faced and out of breath. There isn't time for reflection or critical self-examination.
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Sometimes things in life take a few years to digest, and they find their way into the work later on. Sometimes I'm writing about things from eight years ago-they just took a long time to distill and come out in the appropriate way.
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Writing requires the concentration of the writer, demands that nothing else be done except that.
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One of the pleasantest things about book writing is that sometimes it brings one in touch with old friends.
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You know what it's like to feel anxious - it's horrible feeling anxious. It's stressful having that feeling, having butterflies in your stomach, even for a day, and you don't sleep at night.
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It takes me a long time to write, and I trust myself, so I write very sparsely, so when I do, I know it's good, you know what I mean? Rather than writing a whole bunch and having to sort out what's good and what's not.
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I'm quite adept at writing two or sometimes even three stories at once. So if I get stuck on one story, I switch the next and let my subconscious work on unraveling any plot problems from another story.
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Just as I could tell you about my first Andre Norton novel or my first L'Engle or my first Asimov, I could write a paragraph about how each of these writers influenced me, my writing, and my thoughts, and do to this day.
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People make me key chains... someone attached a Dauntless symbol to a silver pen. That one is what I use to sign books. I use that a lot. I like to keep them around because they remind me that people are waiting for these books and that they really love them. It gives me motivation in those times when I'm not feeling very motivated.
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Tell your idea to whomever will listen, and you'll get valuable market feedback before writing a single line of code.
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This motion-picture muddle had distracted me from my writing.
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I was already writing 'The Lost Symbol' when I started to realize 'The Da Vinci Code' would be big. The thing that happened to me and must happen to any writer who's had success is that I temporarily became very self-aware.
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Writing for the theatre is so different to writing for anything else. Because what you write is eventually going to be spoken. That's why I think so many really powerful novelists can't write a play - because they don't understand that it's spoken - that it hits the air. They don't get that.
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Mystery writing involves solving a puzzle, but 'high suspense' writing is a situation whereby the writer thrusts the hero/heroine into high drama.
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I'm always drawn to writing things that feel like uncharted territory.
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Those books of mine that are remunerative - I'm not talking about poetry here - take years to write, and I am never sure they'll be successful. So writing is a risk in more senses than one.
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You used to get people writing in to the Liverpool Echo saying, ‘Who is this Martian walking round town?’ I used to get battered. Going out for lunch was like running the gauntlet.
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Of course having a baby derails the writing process for some time. And I will be the first to say that I have essentially no social life, because there's just nothing left after being a mom, professor, and writer. I used to be big into rock climbing. No more. A lot falls by the wayside.
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I got tired of books where the boy is a bit thick and the girl's very clever. Why does it have to such an opposition? Why can't they be like the girls and boys that I know personally, who are equally funny and equally cross? Who get things equally wrong and are equally brave? And make the same mistakes?
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There's so many kids in the world who are told, 'You can't do this, you can't do that.' Those are all put-downs. I'm all about pick-ups. You have to pick people up and pay it forward.
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In all my books, I try to have a strong element of realism underlying the fantastic.
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Opinionated writing is always the most difficult... simply because it involves retaining in the cold morning-after crystal of the printed word the burning flow of molten feeling.
