Steve Berlin Quotes
I was struck by the effortless way they moved between musical styles, all the while managing to make each their own. It was instantaneous that I knew I wanted to work with them.
Quotes to Explore
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I think there is an enormous sea change happening in the global workforce. It has a lot to do with globalization. I think that people used to have a hope for a career or meaningful employment, and its been reduced to internships, part-time work or just grossly underpaid work.
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Never despair, but if you do, work on in despair.
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I love working with the Farrelly brothers. I'm a big fan and feel very lucky to have gotten to work with them a few times. One thing that I learned while working with them is that you have to keep your cell phone off when filming scenes, or you owe them a lot of money!
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Sony is the coolest studio. They are really amazing. I think part of it comes from they're not an American corporation. They don't work by quite the same rules. And their studio heads have a lot of autonomy.
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I always work with a goal - and the goal is to improve as a player and a person. That, finally, is the most important thing of all.
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I really have no preference between TV and film. I think that each individual project is its own thing and has a very different style.
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The reason why I'm a conservative is because conservative policies work and they improve opportunities. They are the avenue for climbing the economic dream.
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I dance. A lot. I work grief and sadness out of my body when I dance, and I bring in joy and rhythm.
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Each show comes with its own set of problems to work through.
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Learn the lesson that, if you are to do the work of a prophet, what you want is not a sceptre, but a hoe. The prophet does not rise to reign, but to root out the weeds.
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Education and work are the levers to uplift a people.
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With high underemployment - currently over one million part-time workers in the UK want to work more hours - sanctioning clients who cannot increase their hours seems to be both unworkable and unfair.
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There is something very strange and unsettling for me about making a work that doesn't fit with what's the norm or what's acceptable. There's something both liberating about it and challenging. I can imagine it doing more harm than good.
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It's no good running a pig farm badly for 30 years while saying, 'Really, I was meant to be a ballet dancer.' By then, pigs will be your style.
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There's nothing worse than finding yourself in a situation, a very demanding piece of work, and knowing that you're not a true ally to the person who's in charge of all that.
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Well, I like to eat, sleep, drink, and be in love. I like to work, read, learn, and understand life. I like a pipe for a Christmas present, or records - Bessie, bop, or Bach. I guess being colored doesn’t make me not like the same things other folks like who are other races.
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Certainly, when you're dealing with more deep, emotional work and sensory work, for me, it helps me to just stay in it.
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I just want the actors to put their faith in the language. Just let the words do the work.
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My plan was to go to New York and do some theatre, and then I got the script for 'Psych.' I was like, 'Ahh - just as I thought I was out, you pulled me back in!' I had a great meeting with the show creator and we laid out the parameters to make the show work: what I would do, what he would let me do.
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I dreamed of having a book of my own, of writing one that I could put on a shelf.
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But Nature cast me for the part she found me best fitted for, and I have had to play it, and must play it till the curtain falls.
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When I first started fingerpicking, the first thing I learned was 'Don't Think Twice It's Alright' from Bob Dylan.
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I was struck by the effortless way they moved between musical styles, all the while managing to make each their own. It was instantaneous that I knew I wanted to work with them.
