Gemma Files Quotes
I've always wanted to write about a "haunted" film, something imbued with a malign, potentially fatal attraction, an image which poisons everyone who's unfortunate enough to view it.
Quotes to Explore
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I always knew would be some sort of artist, but didn't know what.
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It's such a Bore Being always Poor.
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For some reason, when I get to the 200m, I'm always a little bit nervous.
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I always separated sports and my personal life.
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One always wonders about roads not taken.
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The entertainment medium of film is particularly tuned to the present imaginations of people at large. A lot of fiction is intensely nostalgic.
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Film has always been a really good tool for me to communicate emotion about why I create a collection. I'm probably one of the first designers to make short films.
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Fixity is always momentary. But how can it always be so? If it were, it would not be momentary - or would not be fixity.
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Homer's work hits again and again on the topos of the inexpressible. People will always do that.
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I guess I'm kind of used to it because it's always been that way for me.
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I write for somebody who has my own limitations. My reader has a certain difficulty with concentrating, which in my case comes from being a film viewer.
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While our amplified knowledge of genetics - and the increasing precision of the field - does make it tempting to take on celebrity cases, retro-genetics can't always provide clear answers.
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I've gone on streaks where I haven't shot the ball well here, but I was always making up for it in other areas, so it wasn't as big. It's just a part of the game. I got to do better with it.
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For revolutionary Cubans, to cooperate with other poor and exploited peoples has always been a political principle and a duty towards humanity.
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It's always a help when you have worked with someone as you've got to know them a bit already.
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I love moments in film where there's no dialogue, and somebody communicates something with a look that kills you. That's why I love going to the cinema.
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Violence, even well intentioned, always rebounds upon oneself.
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With 'Girls,' it doesn't really feel like I'm doing TV specifically. It just feels like we're making a really long film.
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People always are desperate to have others acknowledge that they are different.
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In life, there is no such thing as impossible; it's always possible.
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It's important for cinema to keep on evolving: for people, and not only teenagers, to be able to go to a movie that has huge epic scope but has an intellectual and real story to tell.
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I had always thought myself to be a man of moderate passions indistinguishable in that respect from most Englishmen born to our logical and mannered times.
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Every great culture has cared a lot, one way or another, about the fate of its girls.
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I've always wanted to write about a "haunted" film, something imbued with a malign, potentially fatal attraction, an image which poisons everyone who's unfortunate enough to view it.
