Genco Gulan Quotes
Quotes to Explore
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When the slaves left Africa, they left us this music. They left us blues.
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Since 2000, I've been based in Paris at the Musee d'Art Moderne de la Ville, curating the programme there. Internationally, it's a very open situation that goes beyond national boundaries; directors and curators move from one country to another, which has opened up the museum landscape.
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I would not drink bottles of water at my mom's house because I never knew how long she'd been refilling them from the sink and putting them back in the refrigerator.
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Ever since childhood, when I found out that the ultimate fate for all humans was death, sheer terror and morbid curiosity had been fighting for supremacy in my mind.
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Every Christmas Eve, the elves will come and give us a new pair of pajamas.
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When you fall in love, you become weak.
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All my brothers and my dad at one point had dreadlocks.
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I was just doing my job in the ring and doing my best to make people happy.
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What is necessary to change a person is to change his awareness of himself.
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There are books on our shelves we haven't read and doubtless never will, that each of us has probably put to one side in the belief that we will read them later on, perhaps even in another life.
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I've always been open about my life not because my story is unique, but because it isn't.
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One of the main characteristics that differentiates Dubai from other commercial centres is its openness to innovation and the freedoms it grants people and institutions to operate.
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I didn't volunteer; they asked me. I felt a duty to testify.
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I shall always respect the composer. If I embellish, it is his idea I am embellishing.
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In Colombia, women are a huge factor for reconciliation. I have seen many strong women advocating for negotiations. I remember when the paramilitary were active, there were women close to the paramilitary asking for negotiations.
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There are certain types of slightly hysterical human characters who, rather than creating, walk around with a sense of their own potential - it's as if they themselves were art objects. They feel as if their lives are written narratives, or pieces of music.
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I think lots of ideas are sometimes in our heads without us quite, you know, knowing it.
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I think to do a proper independent movie, in my experience, it takes 22 or 23 days to shoot. That was 'Party Girl' or 'House of Yes.' But now with the digital camera, the budgets have gotten smaller, and the days have gotten shorter.
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I know what poverty is.
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The current distribution model for movies, in the U.S. particularly, but also around the world, is pretty antiquated relative to the on-demand generation that we're trying to serve.
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I've always been fascinated by young women who come to New York. The characters in 'Lipstick Jungle' were once young women who came to New York and we see their early experiences through flashbacks.
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Two records put me over the top with hip-hop. One of them was 'Planet Rock,' and the other had no lyrics – it was called 'Numbers,' from a group called Kraftwerk. Every kid in the 'hood in New York and New Jersey was popping, locking, and breaking to that record. It was the hottest track on the street at the time.
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Then in 1969, I spent the spring term at Cornell University in New York. The invasion of August 1968 had already happened, but the hardline regime took several months to crack down on dissidents.
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Istanbul these days has as much dynamism as New York.
