Tanya Fischer Quotes
It's valuable to me as an artist and actor to explore all kinds of outlets. So if a local filmmaker in Milwaukee had a good story, I'd be part of it in a second.
Quotes to Explore
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I like going after good material, well-written material.
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I think it is important to ask ourselves as citizens, not as Democrats attacking the administration, but as citizens, whether a world power can really provide global leadership on the basis of fear and anxiety?
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My parents never pushed me to ski race. It was my choice and something I really wanted to do. I would have rebelled if they had pushed me, and I wouldn't have had the same passion.
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My parents took me to see plays, starting from when I was very little. Oftentimes, I was too young to understand. I don't know what my parents were thinking - 'Who's Afraid of Virginia Woolf' when I was eight years old, that kind of thing. So lots of times, I didn't understand what was going on, but I just loved the sound of dialogue.
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If you're in a dark place, you're there for a reason. And the only way to get through to those kids or to other people going through the same thing is really to meet them in that dark place and then slowly bring them to the light.
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For those who love, nothing is too difficult, especially when it is done for the love of our Lord Jesus Christ.
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Life is one long process of getting tired.
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Your body must become familiar with its death - in all its possible forms and degrees - as a self-evident, imminent, and emotionally neutral step on the way towards the goal you have found worthy of your life.
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It is one of the primary motives of modern art that it wants to abolish the distance which the viewer, the consumer, the audience maintain vis-a-vis a work of art.
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Actors are greedy. They can never be satisfied. I want praise as well as box office returns.
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We are paying the price for living longer, collecting degenerative diseases along the way. Cancer is only one. Others are heart and brain diseases like Alzheimer's and Parkinsons.
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It's like everybody is shooting something, and everybody's a filmmaker; everybody can shoot a cat video and post it. So the big thing now is - for people that have talent and have something to say, and are creative, and are capable of making something good - is how do they get attention to it?
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I've been terrified of the water, and yet it seems I'm forced to go into in on every movie that I make.
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People first concern themselves with meeting their basic needs; only afterwards, do they pursue any higher needs.
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Peoples do not defy repression and death, nor do they remain for nights on end protesting energetically, just because of merely formal matters.
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Some of modern engineering is necessary to good art. But I think of myself is a cultural artist.
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Investing in gold is one of the wisest decisions that you can make as an investor.
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I write my own songs. I made my own videos. I pick my producers. Nothing goes out without my permission. It's all authentic.
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If one thing that bothers me about acting, it's that there's no clear-cut number one. The closest you can get is winning an Academy Award, and I'm going to work on that if it takes me the next 50 years. To my peers, it will mean that I'm the best!
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Film schools are now nearly 50-50 male-female, and women are also well represented at festivals and in indie film. But what happens to them after they direct their first film or short? Where do they go? They certainly aren't being given the same opportunities as their male counterparts.
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I learned that the best way to work is to allow the scene to live on its own before making major adjustments, whether in rehearsal or on film.
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I give as much as I can, and it's up to someone else to turn it into a movie. Good luck to you!
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We now live in the era of fake consensus, or phoney populism, a condition in which galleries and homes are seen to succeed best where they manage feelings of non-difference.
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It's valuable to me as an artist and actor to explore all kinds of outlets. So if a local filmmaker in Milwaukee had a good story, I'd be part of it in a second.
