David Cannadine Quotes
Kitty Kelley's method, already perfected in her unauthorised and unflattering biographies of Frank Sinatra and Nancy Reagan, is to write bestsellers that take what she describes as an 'unblinking look' at their subjects - which might, of course, mean that her eyes are permanently open or permanently closed... the result is a work so bad that Britons cannot realise how fortunate they are in being unable to buy it. The great mistake with this book is not that it has been published in Britain, but that it has actually been published anywhere else.
Quotes to Explore
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You really are being quite foolish to smoke.
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A good lie detector doesn't jump to conclusions but tries to understand the person across the table, her personality, and her motivations. Your goal as a lie spotter isn't to point the finger and say, 'You're lying' - your goal is to get to the truth.
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I go to all these photo shoots, and each time I figure out something new about myself and what I want to wear.
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I spend a lot of time balancing between faith and disbelief.
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Creating more and better jobs is how you build a strong economy.
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Science may be described as the art of systematic over-simplification.
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I love accents. It's a great way to separate yourself when playing a role.
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Because of lies, we can produce and invent a possible world.
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Art comes from a visceral need and is usually generated by something I have seen; writing comes from something that happens in my head and my heart.
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I'm proud to have played characters who've inspired people to live out loud, and I'm lucky to have reached an audience that's been incredibly enthusiastic and supportive.
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I'm as pure as the driven slush.
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The best experience that we have on Earth is the fact that we have scientific stations, weathering over stations down in the Antarctic for almost the entire 20th century to learn how to exist in exceedingly hazardous conditions; and the Moon is far more hazardous than Antarctica. At least they have water there.
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I never took any elocution lessons, no diction lessons. I might have been a pretty decent broadcaster if I had, but what you see, I'm afraid, is what you get.
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At twenty-one, so many things appear solid, permanent, untenable.
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And I think we created something incredible as a Democratic group, as a platform, as an effort to make a change in the country, and I think we did change this country. And I think we will continue to, and I know that my father is not going to stop fighting.
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We do not want an expanding struggle with consequences, that no one can perceive, nor will we bluster or bully or flaunt our power, but we will not surrender and we will not retreat, for behind our American pledge lies the determination and resources, I believe, of all of the American nation.
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My only power is my ability to do something with passion and do it well. It's also something someone cannot take way from me, so it's very valuable.
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Writing is just always hard for me. It always feels like drawing blood. It's never particularly easy.
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I would really like to do a movie. Schedule-wise I don't know when exactly, but I think it would be great to do a Portlandia movie. Some of my favorite television shows have done it and they've been great. Like Monty Python. I think it would be great.
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The thing I don't like about L.A. is that it's very industry-focused. That's not bad for kids. It's not hedonistic or anything, not any more shallow than anybody in the Midwest. It's not that.
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I personally don't have a problem with naked bodies on television.
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Kitty Kelley's method, already perfected in her unauthorised and unflattering biographies of Frank Sinatra and Nancy Reagan, is to write bestsellers that take what she describes as an 'unblinking look' at their subjects - which might, of course, mean that her eyes are permanently open or permanently closed... the result is a work so bad that Britons cannot realise how fortunate they are in being unable to buy it. The great mistake with this book is not that it has been published in Britain, but that it has actually been published anywhere else.
