David Denby Quotes
The Nazis, for him, are merely available movie tropes--articulate monsters with a talent for sadism. By making the Americans cruel, too, he escapes the customary division of good and evil along national lines, but he escapes any sense of moral accountability as well. In a Tarantino war, everyone commits atrocities. Like all the director's work after 'Jackie Brown,' the movie is pure sensation. It's disconnected from feeling, and an eerie blankness--it's too shallow to be called nihilism--undermines even the best scenes.
Quotes to Explore
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Growing up, my birthday was always Confederate Memorial Day. It helped to create this profound sense of awareness about the Civil War and the 100 years between the Civil War and the civil rights movement and my parents' then-illegal and interracial marriage.
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Everyone has something to sell. The greatest thing you can ever sell is an idea or talent.
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He rejects the New World Order established at the Cold War's end by the United States. Putin puts Russia first.
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I've been influenced by some of the greatest designers. Charles Eames. And Bruno Munari in the '50s in Italy - when they had to retool the industry of war into an industry to help society. In a way, I'm influenced by designers that were there at a radical time of change.
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Forget it, Louis, no Civil War picture ever made a nickel.
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I acquired a hunger for fairy tales in the dark days of blackout and blitz in the Second World War.
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I think there are telegrams that may or may not be available, which indicated that I very much had in mind the need to give Europe substantial aid after the war, after Lend-Lease was over.
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You can go into Mark Twain's material and prove anything you want. He was against war. He was for war. He was against rich people and he was for them. He was a kaleidoscope.
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In the '60s we fought for peace, when the Vietnam war was on. We were against the cops and against the politicians, and there was a lot of waving banners and all that. And I think in a way, just as they were enjoying that machoism of war, we were enjoying the machismo of being anti-war, you know?
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I don't think it's a coincidence that 'The War Room' and 'A Perfect Candidate' are films that have been consistently shown and available for rental for 20 years. These are films that are more about the moment in which they were filmed: they also have a great deal to say about larger issues about who we are as a country.
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I'm ambitious. But if I weren't as talented as I am ambitious, I would be a gross monstrosity.
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We need more transparency and accountability in government so that people know how their money is being spent. That means putting budgets online, putting legislation online.
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I took an interest in the Civil Rights Movement. I listened to Martin Luther King. The Vietnam War was raging. When I was 18, I was eligible for the draft, but when I went to be tested, I didn't qualify.
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When you get billions in aid and your weapons resupplied and your ammunition stock resupplied, you don't learn the lesson that war is bad and nobody wins.
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It simply is not true that war never settles anything.
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The NATO forces will, to the extent that they have capacity, assist the war crimes tribunal.
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If there is a horrific attack on this country like 9/11, the American people will demand we go to war and settle accounts with those who did it. But America's appetite for intervention, for nation building, for democracy crusades, is fully sated.
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There are two types of football - there's physical football and football talent.
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I kissed thee ere I killed thee. No way but this, Killing myself, to die upon a kiss.
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'Each man kills the things he loves'. I recognise that in myself, in relationships, even with guitars, beautiful things that I've had and wilfully destroyed.
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The Nazis, for him, are merely available movie tropes--articulate monsters with a talent for sadism. By making the Americans cruel, too, he escapes the customary division of good and evil along national lines, but he escapes any sense of moral accountability as well. In a Tarantino war, everyone commits atrocities. Like all the director's work after 'Jackie Brown,' the movie is pure sensation. It's disconnected from feeling, and an eerie blankness--it's too shallow to be called nihilism--undermines even the best scenes.
