David E. Cooper Quotes
Between nature and music there seems to be an elective affinity: they fit together, and when they do experiences of an ineffable kind are generated.
Quotes to Explore
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I've said before, the number one thing that we have to work on is protecting the gay community from sharia law. Now, in the United States, it's probably not a big issue right now, but my brother-in-law is gay, and his partner and I would like them to be able to travel any place in the world without them risking harm.
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Sometimes, I think the best kind of poem is one in which there is an acute balance between what is humorous and that which is very serious. That balance is very hard to strike. But it can be done.
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Anything that we do to make ourselves feel worthy and safe is a flight from the pain of powerlessness. Every pursuit of external power - every attempt to change the world or a person in order to make yourself feel valuable and safe - is a distraction from the pain of powerlessness.
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I'm pretty much a straight guy on 'The Office.' We can't all be crazies. You need some balance.
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I've had so many injuries in my life that it's ridiculous.
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The movies were custard compared to politics.
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Style is not something applied. It is something that permeates. It is of the nature of that in which it is found, whether the poem, the manner of a god, the bearing of a man. It is not a dress.
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After Land I wanted to continue exploring the theme but I needed a new challenge so turned to colour. I explored Bradford and produced a series of urban landscapes that I liked, but because Land had made such an impact on the general public my colour work wasn't reviewed.
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I've never really thought of myself as depressed so much as I am paralyzed by hope.
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He's one of my closest friends in the industry. He makes me feel like a teenager - I have to act and think like an adult so much. He makes me feel young again.
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One of the best ways of enslaving a people is to keep them from education... The second way of enslaving a people is to suppress the sources of information, not only by burning books but by controlling all the other ways in which ideas are transmitted. (11 May 1943)
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Whenever somebody tells me they want me to stop singing, I'm gone.
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I always try to manipulate the eye when I'm dressing myself or someone else. I don't have an hourglass figure, so I'm always trying to give the illusion that I have one; bringing the eye to the waistline by adding a belt or having a heavier print at the bottom or at the top helps define your shape.
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There was no concept of fashion and catwalk shows where I came from.
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I worked in Syria on the front lines, and you hear the plane, you hear the shell is dropping, you realize it's not on you - 'Good' - and then you see the patients coming in and take care of them. And then you have down time. With Ebola, it seems there's no down time. It seems you're always at the front line; you're always exposed.
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My grandfather is a blues musician.
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Children who are treated as if they are uneducable almost invariably become uneducable.
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The problem is that if you're self-conscious about being a person on whom nothing is lost, isn't something lost - some kind of presence? You're distracted by trying to be totally, perfectly impressionable.
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I have always been far more interested in sound than technique, and how sounds work together, how they can be layered. I think electronic music, in its infancy anyway, allowed us to create music in a way that hadn't really been possible before. It created a new kind of musician.
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Cousins are people that are ready made friends, you have laughs with them and remember good times from a young age, you have fights with them but you always know you love each other, they are a better thing than brothers and sisters and friends cause there all pieced together as one.
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One is forced to the view, for which there is so much evidence even though without rigorous scientific basis, that besides this material world another, second, purely spiritual world order exists, with just as many diversities as that in which we live--we are to participate in it.
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Between nature and music there seems to be an elective affinity: they fit together, and when they do experiences of an ineffable kind are generated.
