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The numerous ecstatic traditions - including free jazz and funk - have all been great inspirations.
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It is inspiring to see bands still trying to do significant and new things in the realm of sound. Most people in any category are more or less filling out the forms they've been handed. But there are always exceptional gems.
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I like to go for a certain over-the-top opulence when naming the drone pieces whereas the song titles are all about concision, I guess. I mean, if I were truly a purist, I'd call things, "Long Piece #27" or "Newest Fast Song", but I enjoy titling and it is helpful at rehearsals or when making set-lists.
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I could easily fill up each week with going to see debuts of friends' compositions alone. When you add in all of the bands I'm interested in catching and all of the improvisers that I still love, it gets almost impossibly daunting. I try to do as much as I can.
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We [Notekillers] are in no way super-earnest about what we do and if you see us live, you see we are cracking up during songs and saying pretty ridiculous things in-between. We're having fun.
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I tell people too young to know that we came up during two of the most dogmatic times in recent history - the so-called hippie era and the punk era, both of which had a set of codes and rules that you had to look and dress and think a certain way, and for sure, to be of a certain age.
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If you're talking about musically, I think I understand just a little bit more about things that were mostly intuited back then - how certain timings and tones work, so I can be a little more analytical about things now.
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However naïve it sounds, or however inept the result, I think the idea is to try to alchemize the crap, not just mirror it all.