David Holmgren Quotes
Although it is tempting to think of these natural landscapes as reflecting a stability in climactic and geologic forces, long periods of climactic and geophysical stability actually result in a rundown of the energy available to ecosystems and people. Geologically young regions with recent mountain building and volcanism tend to be much more biologically productive and have supported large populations of people despite their vulnerability to natural disasters. Geologically old regions (like most of Australia) tend to have low biological productivity and supported fewer people.
Quotes to Explore
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I surround myself with positive, productive people of good will and decency.
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Obviously, we're focused on the Winter Classic.
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My plan was to stay in Canada to make films.
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Books are not like albums, where you can simply download and enjoy your favorite chapter and ignore the rest.
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Every time I write a new novel about something sombre and sobering and terrible I think, 'oh Lord, they're not going to want to go here'. But they do. Readers of fiction read, I think, for a deeper embrace of the world, of reality. And that's brave.
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I've always been about how will digital be transforming established businesses, and that's what I've done.
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If audiences are sort of interested in movies that are made like McDonald's hamburgers, which do have a value in the world, then we have to re-evaluate our entire career.
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I love working in New York.
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People who bowl vote. Bowlers are not the cultural elite.
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I have to be socially aware; I feel like that's my job.
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I'm convinced that what kids need today are parents - not buddies. They need someone who will exercise mature judgment.
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At 13, in my first year of Tonbridge, I went up for the part of Macbeth. I was up against the 17- and 18-year-olds, but for some reason I got the part. It made me incredibly unpopular with my peers, but it was the English and drama teachers who stepped in to save me when others wanted me kicked out of the school.
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I often use the word 'magical' to talk about what it feels like on set.
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Responsibility educates.
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The writer's object is - or should be - to hold the reader's attention.
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I love doing a film with a new bunch of people.
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A vase of unbaked clay, when broken, may be remoulded, but not a baked one.
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It is when we ask for love less and begin giving it more that the basis of human love is revealed to us.
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Yes, it's still a man's world, unfortunately, and we have a long way to go in this country and all countries - but there's something to be said for just feeling the spirit of a true man, and I think that's what 'Classic Man' speaks to.
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It's interesting when people say, 'You always play strong women,' because as far as I'm concerned, women are strong. I think that's what women are. We have got that vulnerability, but we have got that strength. We are survivors.
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I talk to myself out loud at times, and feel embarrassed when people overhear me.
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With The Fugees initially, and even with 'Miseducation', it was very hip-hop - always a singing over beats. I don't think people have really heard me sing out. So if I do record again, perhaps it will have an expanded context. Where people can hear a bit more.
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I'm nothing special, just an ordinary human being. That's why I always describe myself as a simple Buddhist monk.
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Although it is tempting to think of these natural landscapes as reflecting a stability in climactic and geologic forces, long periods of climactic and geophysical stability actually result in a rundown of the energy available to ecosystems and people. Geologically young regions with recent mountain building and volcanism tend to be much more biologically productive and have supported large populations of people despite their vulnerability to natural disasters. Geologically old regions (like most of Australia) tend to have low biological productivity and supported fewer people.
