David L. Ulin Quotes
We possess books we read, animating the waiting stillness of their language, but they possess us also, filling us with thoughts and observations, asking us to make them part of ourselves.
Quotes to Explore
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Every writer I know got their start in a library somewhere. We read a book, and we thought, 'I want to do that.'
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I realized what interested me as a student of film was one thing and the movies that I liked were another.
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I know people think that a lot of sports stars are a little bit up themselves, but they all have their heroes, too.
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You need to train your brain to be positive.
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My awkward stage extended well into high school.
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Starting that union was something I believed in very strongly.
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I don't want to do only blockbusters.
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When you have endless time, you take all day to go to the grocery store. But, if you have to be at work for 14 hours a day, you manage your time better. I know I do.
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'Gatekeeper' was sort of my first attempt to put a little bit of a frame and boundaries around songwriting, and try to figure out a way to approach it that had a sort of end result in mind. I haven't written many like that.
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Like most people, I shrink from exposing my innermost secrets and my most private and intimate actions.
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My dad and I used to watch 'Ninja Warrior' all the time back when it was in Japan. I would always say, 'I could do that,' kind of joking, but obviously kind of serious.
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While 'Friends' was about a 20-something population and what they were going through, they were also dealing with issues with their family.
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Arguments over grammar and style are often as fierce as those over IBM versus Mac, and as fruitless as Coke versus Pepsi and boxers versus briefs.
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I get my light eyes from my mother.
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From childhood I have been afraid of mummers. It always seemed an extra shadow without face or name had slipped among them...
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It's an important point to make that people can't just be invalidated, eradicated, because they don't fit tidily into a box. And more and more, the modern world is all about conformity.
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My favorite English teacher in high school showed me 'Brazil' when I was 15, and it blew my mind. It's one of those movies that's revealed itself in different ways as I've gone back to it over the years.
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When I work, I work. I don't think about anything else. I just wanna get the work done. And I'm a perfectionist.
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People are identifying not only with the trans movement, but also the Pfefferman family. What I am noticing is people are coming up on the street and talking about their life and their family, and they say, 'Your family is just like mine.'
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To me, cinema is cinema. Cinema is one big tree with many branches. The same as literature. In literature, you don't just say, 'Oh, I bought some literature.' No, you say, 'I bought a novel' by so-and-so, or a book of essays by so-and-so.
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Books never pall on me. They discourse with us, they take counsel with us, and are united to us by a certain living chatty familiarity. And not only does each book inspire the sense that it belongs to its readers, but it also suggests the name of others, and one begets the desire of the other.
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None of us constitutes a material whole, identical for everyone, which a person has only to go look up as though we were a book of specifications or a last testament; our social personality is a creation of the minds of others. Even the very simple act that we call "seeing a person we know" is in part an intellectual one. We fill the physical appearance of the individual we see with all the notions we have about him, and of the total picture that we form for ourselves, these notions certainly occupy the greater part.
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I'm just so proud to be from San Francisco and to have a family history there. It's only two generations back, but still, it's two generations in San Francisco. I love it. I'm so proud of it.
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We possess books we read, animating the waiting stillness of their language, but they possess us also, filling us with thoughts and observations, asking us to make them part of ourselves.
