Orlando Bloom Quotes
Quotes to Explore
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There's a critic that I love, Manohla Dargis of the 'L.A. Weekly.' I like the underground point of view; it's my old radical sympathies. Maybe I like her because she likes my movies.
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Our conscience is not the vessel of eternal verities. It grows with our social life, and a new social condition means a radical change in conscience.
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I like to practise. With every new piece, you make mistakes and you learn. So it's important to get on and have another go.
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I want to do roles that take women a step farther. I don't want to be slotted into anything. But if I get a brilliant role which requires me to be a mother, then I will do it. But I want people to see that a woman could be anything at whatever age, even if she is married or has two kids.
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There is no such thing as a little freedom. Either you are all free, or you are not free.
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There is no self-knowledge but an historical one. No one knows what he himself is who does not know his fellow men, especially the most prominent one of the community, the master's master, the genius of the age.
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I don't want to be known as an item dancer. I want to be known as an actress only.
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I don't set out to win awards. I don't think any musician does, but when you receive an award, it's an affirmation: it means that people appreciate what you do. Every award I have received is a confirmation of something I have done, and that motivates me to push a little harder.
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If you have the ideas, and you're a creative person, then you don't really differentiate in how your ideas manifest themselves.
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For the most part, it's a very male-dominated business. Most executives are male, so it's always sort of their vision of stuff. I'm constantly fighting against that, even when I play the wife or the girlfriend or the best friend. I always try my hardest to bring as much layering in and not make things stereotypical, but it's hard.
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I try to stay as naive as possible so I'm not as aware as much of the risks.
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We are all different human beings, and we all have different backgrounds, and we stem from different social strata. That is what defines how you hear people talk, how you want to quote them when you speak. We all have different fears and doubts and complexes and this is what shapes the way we see other people. Especially characters.
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It was total naivety that got me to Hollywood. I thought it was going to happen straight away. I told myself 'give it 5 years, there's no way I'll be here after that if it doesn't happen'. Cut to ten years later!
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What sane person could live in this world and not be crazy?
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There is kind of an underground conservative movement in Hollywood, really.
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You don't have to be dowdy to be a Christian.
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I've never experienced complete terror, knock on wood, or running for my life or any of that.
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Maybe I've lost a little, but I think everyone does over time. People have been writing that I'm getting old every year, and eventually they're going to be right. There's nobody in this game that's doing the same things they once did in the peak years of their career.
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My own father had died of Alzheimer's. George [Mitchell] had been also, I think, deeply moved by a similar tragedy.
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The wise man will want to be ever with him who is better than himself.
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It worked well because Don Murray didn't want to be on Knots anymore.
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Publishers vet books, and they do a good job keeping out the low quality. But they also miss some good quality.
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I feel even old people can do a nice love story, but here we don't make that kind of films. In the West, such films are being made and they make a nice romance, which is more like compassion.
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I don't want to do only blockbusters.
