David Longstreth Quotes
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I think certain people would be moved to be nostalgic about America's glory days, when the music set the tone for the cultural conversation and popular musicians had this absurd level of authority.
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I love that, for Kanye [West], there's no difference between the epic and the personal. That makes him sound like a really grandiose douche - which, I don't think anyone, himself included, could contest - but at the same time, it's really amazing. I love the scope of his perfectionism.
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I'm the worst at favourites! I don't have one - I love all my children, I love them all equally.
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Clearly, things are definitely changing in big ways as far as the way we consume music, listen to music, and what we expect from music.
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You think about, like, [20th-century classical composers] Alban Berg, Schoenberg, and Webern sitting around in some living room in Vienna and being like, "We are the end of music. We are the end of this tradition. Music is done."
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I do feel like the hardest thing is to do something simple and tap into whatever remains of our common language rather than cultivating your own willfully esoteric vocabulary.
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I'm super interested in visual, and I love that being in a band can be as much about making an image as it is about making a sound.
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Sometimes when you're on tour, it feels like you're living the same day over and over again.
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There's a certain power in vague language, but I started to get more into the idea of really trying to have a discrete thought in the lyrics and to have songs that were about stuff - to try to make things more coherent.
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Sometimes you get really bitter about how the prettiest images don't typically end up attached to the most interesting music. But I just take that as a challenge to try to do something cool.
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When you make a melody that doesn't come with words from the get-go, sometimes you're just thinking about random vowel sounds that go with it - and it's really, really hard to write lyrics that actually obey the vowel sounds.
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The idea of letting a recording be a moment in time appealed to me. With digital recording, it's easy to create a perfect text of whatever song you have.
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It's a weird job because making music or writing a song is a personal thing... and it kind of has to be. You can always tell when people are faking.
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You have to figure out as a band how a band becomes a business, and then you have to keep that business mentality separate from the creative one, which is good for the songs. It's always a work in progress.