David Massengill Quotes
I use three main tools in writing: instinct, hard work and dumb luck. Dumb luck is missing a train and, while you wait for the next one, writing a key word, line or verse. When this happens often enough you begin to believe in Fate.
Quotes to Explore
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The more I go on in this career of making albums, writing songs and playing music, the more I think of each album as a movie. I really wanted to make a film, but making a film is much more expensive than making a record.
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For if you train hard and responsibly your confidence surges to a maximum.
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When I'm writing books, something weird happens; and the result is the books contain a large amount of what you could call 'supernaturalism.' As a writer, I find I need that to explain the world I'm writing about.
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Going to work for a large company is like getting on a train. Are you going sixty miles an hour or is the train going sixty miles an hour and you're just sitting still?
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Nobody's going to write a book about me, because nobody's going to find anything worth writing a book about.
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I never see myself as writing satire. I think I write about people as they really are, without making them better or worse.
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Whether you want to entertain or to provoke, to break hearts or reassure them, what you bring to your writing must consist of your longings and disappointments.
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I love teaching online at my website and soon I'll be writing a math book. I love to teach math. I just don't have time for a full-time teaching gig. Acting is way too time-consuming.
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I tend to read more nonfiction, really, because when I'm writing I don't like to read other fiction.
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I have seven disciplines to train for, and so I try to complete them all every week.
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When I'm writing, I look like a fool because the parts are moving through me and I'm crying and laughing and making faces.
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I love to draw and paint. I'm very active in that way, but I'm not very good with the written word, though.
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I think the beauty of the writing of 'Game of Thrones' is not that the characters are fearless; it's how they overcome their fear, you know?
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A lot of the songs on '2' are pretty personal, but even if I'm writing about something like that, I still tend to keep it pretty simple and open-ended. I like the idea of people listening to my album and it meaning something to me but maybe meaning something else to them.
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Things I used to get in trouble for writing at 'SNL,' suddenly other people like it.
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There's no better satisfaction than writing. I feel that writing is the best and everything else comes with it.
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I always train 100 percent.
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I realised that I had always been writing things that other people wanted me to write and not what I really wanted to write, so I felt like I was losing my way.
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I never discuss a novel while I'm writing it, for fear that talking about it will diminish my desire to write it.
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I like to separate the music- and lyric-writing processes if I can. I'll sort of noodle around on my keyboard and my computer until I have a beat or a chord progression, I'll record it as a loop, export it to iTunes, then walk around with the loop and sort of talk to myself in the loop, and that's how I get the lyrics.
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Skylark,Have you seen a valley green with SpringWhere my heart can go a-journeying,Over the shadows in the rainTo a blossom covered lane?And in your lonely flight,Haven't you heard the music in the night,Wonderful music,Faint as a will-o-the-wisp,Crazy as a loon,Sad as a gypsy serenading the moon.
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One of the worst of errors would be the general admission of the proposition that a Government has no right to interfere for any purpose except for that of affording protection.
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I use three main tools in writing: instinct, hard work and dumb luck. Dumb luck is missing a train and, while you wait for the next one, writing a key word, line or verse. When this happens often enough you begin to believe in Fate.
