David Starkey Quotes
I think I give far more space and play to avant-garde writing than any other contemporary textbook author. I want students to be able to decide for themselves which aesthetics are closest to their own. Still, while I try not to be a nostalgist myself, I suppose I am drawn to those poignant moments in our lives, rendered clearly and artfully.
Quotes to Explore
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Some people ask, 'How do you attract the young and so many different people when your poetry is complicated and different?' I say, 'My accomplishment is that my readers trust me and accept my suggestions for change.'
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There are no opportune times for a penalty, and this is not one of those times.
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I think that when you don't look at the good things around you, that you lose sight of all those good things. And you're not going to enjoy your life.
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I'm an actor first and foremost, who happens to do improv. I've also done sitcoms, I've done stage.
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I need to have something else going on. I'm able to write a lot if I have an episode of 'Friday Night Lights' going on my computer.
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I am that guy who will say things that people seem to think is a little edgy, a little racy.
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But whether a couple is a man and a woman has everything to do with the meaning of marriage.
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I am the luckiest novelist in the world. I was a first-time novelist who wasn't awash in rejection slips, whose manuscript didn't disappear in slush piles. I have had a wonderful time.
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Well I think that, if you want to look at polarizing people right now, I wouldn't look at Palin, I'd look at Barack Obama.
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I am happy in Paris.
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A thought is often original, though you have uttered it a hundred times.
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Film is such a very good tool for communicating emotions, and all designers and creative people look to inspire an emotional response.
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The atmosphere, the earth, the water and the water cycle - those things are good gifts. The ecosystems, the ecosphere, those are good gifts. We have to regard them as gifts because we couldn't make them. We have to regard them as good gifts because we couldn't live without them.
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I find there's a thin, permeable membrane between journalism and history, and though some academic historians take a dim view of it, I gather a lot of strength and professional inspiration from passing back and forth across it.
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I would break a lot of cymbals. You whack the cymbals hard enough, and they will crack in half. Drums are not actually as sturdy as they look. They're actually somewhat fragile instruments.
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Today I begin to understand what love must be, if it exists... When we are parted, we each feel the lack of the other half of ourselves. We are incomplete like a book in two volumes of which the first has been lost. That is what I imagine love to be: incompleteness in absence.
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Hip-hop for me has always been hardcore and edgy.
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I wish my mother could have seen the America we’re going to build together. An America, where if you do your part, you reap the rewards. Where we don’t leave anyone out, or anyone behind. An America where a father can tell his daughter: yes, you can be anything you want to be. Even President of the United States.
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I caution writers all the time to slow down and pay more attention to the work in front of them than to the end result. I don't think you write one book and get anywhere. I think you write five books and then maybe you are finally on the right path.
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If contempt of the world and heavenly affection is a necessary temper of christians, it is necessary that this temper appear in the whole course of their lives, in their manner of using the world, because it can have no place anywhere else.
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After I do my first writing of the day, I will generally look at Twitter and Google News - and that's my big media secret. I look at Twitter and I look at Google because they pull all the headlines from other websites.
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You have to think like a designer. You have to establish the trend four seasons before it becomes popular.
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All that is not eternal is eternally out of date.
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I think I give far more space and play to avant-garde writing than any other contemporary textbook author. I want students to be able to decide for themselves which aesthetics are closest to their own. Still, while I try not to be a nostalgist myself, I suppose I am drawn to those poignant moments in our lives, rendered clearly and artfully.
