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I think everything we do, on one level or another, as writers, most of our writing is informed by our world view.
Ted Dekker -
My research for 'Adam' affected me profoundly, particularly the research into evil's underbelly. We tend not to think about evil until it pokes its head out of the air about us and then it tends to scare us silly. As well it should.
Ted Dekker
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Once born into childlike faith, brimming with belief, typical people begin to lose their faith. Society mocks them. Their friends smirk. They come to change the world, but over time the world changes them. Soon they forget who they were; they forget the faith they once had. Then one day someone tells them the truth, but they don’t want to go back, because they’re comfortable in their new skin. Being a stranger in this world is never easy.
Ted Dekker -
It's critical that we use a very dark brush to paint evil. When you bring the light into that darkness as characterized in John 1, that light is very vivid. When it dispels the darkness, we see the brilliance that's there.
Ted Dekker -
Most believers struggle to really believe in the supernatural as a meaningful, deterministic reality except during moments when they are drawn to it, perhaps during a worship service or while reading a novel like 'Adam.' Being drawn to this truth is the first step to living a life in accordance to this truth.
Ted Dekker -
We Christian writers must paint evil with the blackest of brushes, not to sow fear, but to call out the monsters to be scattered by our light. If Satan cloaks himself as an angel of white, intent on deceiving the world, any attempt on our parts to minimize evil is only complicit with his strategy... Turn to the light; don’t fear the shadows it creates.
Ted Dekker -
. . . your history is no less important to your survival than your ability to breathe. In the end, you can only determine whether to saturate your memories with pain or with perspective. Forgetting is not an option. I tell you the truth now: Pain was not God's plan for this life. It is a reality, but it is not a part of the plan.
Ted Dekker -
While the older generation is content to sit around and critique culture, that culture is moving beyond them. At some point the traditional church and all of the expressions of that church will become essentially irrelevant.
Ted Dekker
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My first seven novels were contemporary spiritual novels, my next nine had strong elements of fantasy, and now I'm writing thrillers, more as a choice to spread my wings than anything. Writers, like good wine, should mature with age.
Ted Dekker -
When I sit down to write a novel, I am exploring my own relationship with God, with the struggle between good and evil, my own purpose.
Ted Dekker -
My idea for 'BoneMan's Daughters' came from the loss of my own daughter when she left home to live with a monster at age 18. I wanted to throttle the man, but she was in love, so all I could do was hope, pray and cry.
Ted Dekker -
I always managed to get in trouble, like every kid. But I had to learn a lot of hard lessons on my own, without parents who would nurture me and guard me through that part of life, at a very young age.
Ted Dekker -
Like all of my fictions, 'Sinner' is a mirror. Look into it and you will find yourself. What you do with what you see is your choice.
Ted Dekker -
My writing is a very authentic journey of discovery. I'm going out there to learn who I am. My readers, consequently, take the same journey as my protagonist.
Ted Dekker
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Suffering is an oxymoron. There is unfathomable peace and satisfaction in suffering for Christ. It is as though you have searched endlessly for your purpose in life and now found it in the most unexpected place: In the death of your flesh. It is certainly a moment worth of laughter and dance. And in the end it is not suffering at all. The apostle Paul recommended that we find joy in it. Was he mad?
Ted Dekker -
When you step away from it all, you lose perspective.
Ted Dekker -
Thrillers provide the reader with a safe escape into a dangerous world where the stakes are as high as can be imagined with unpredictable outcomes. It's a perfect genre in which to explore hard issues of good and evil, a mirror that allows the reader to see both the good and not so good in themselves.
Ted Dekker -
The good news is that even though we walk through this valley of death, we don't have to fear, at least not for ourselves! Unfortunately, there is no way to skip over the valley altogether, we must face death and the evidence of evil all around us. But there will come a day... And what a day that will be!
Ted Dekker -
And to understand how love unfolds, you must understand how Elyon loves.
Ted Dekker -
I studied philosophy, religious studies, and English. My training was writing four full-length novels and hiring an editor to tear them apart. I had enough money to do that, and then rewriting and rewriting and rewriting.
Ted Dekker
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You never read Spider-Man? Accepting your true identity means understanding that you are a stranger to this world. A freak, ostracized by the very people you want to help.
Ted Dekker -
The light had simply and utterly destroyed the darkness.
Ted Dekker -
What matters is discovering myself under the veneer, under the layers that are wrapped around me. There are two 'yous'; there's 'you', the real you, and then there's the image.
Ted Dekker -
The problem with any philosophical consideration is that once you open a door in your mind, you can never close it. Once you learn something, you can never convince your mind that you didn't learn it. If you learn the world is round, you can never fit in with a world that thinks it's flat.
Ted Dekker