David W. Orr Quotes
The dialogue about sustainability is about a change in the human trajectory that will require us to rethink old assumptions and engage the large questions of the human condition that some presume to have been solved once and for all.
Quotes to Explore
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You find out your mistakes from an audience that pays admission.
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I worry about people who sell out to chase fame because when they get it, it might not be so satisfying.
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Narrow banks could restart effective intermediation and ensure that consumers and employment-creating small and medium-size enterprises are adequately financed and can contribute to the reactivation of the economy.
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I'm prepared for Amir Khan moving swiftly - or for whatever style he comes out using. I prepared with sparring, in the style similar to what he uses.
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I'm an honest, open father.
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I wish to say that we Anarchists have never changed our position. We are Anarchists as of old and still pursue the same ideals.
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As long I still have a breath left in me I will dedicate myself fully to China's reform.
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I will never give myself the luxury of thinking, 'I've made it.'
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If I get in a relationship, it's always for the long-term; if not, I don't see the point.
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Psychoanalysts believe that the only 'normal' people are those who cause no trouble either to themselves or anyone else.
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I have fruit trees. Cows for fresh milk, yoghurt. My own wheat. I'm basically self-sufficient.
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I was now resolved to do everything in my power to defeat the system.
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Form follows beauty.
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If a poet is anybody, he is somebody to whom things made matter very little - somebody who is obsessed by Making.
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Here's what I see: a complacency among the generation of young women whose entire lives have been lived after Roe v. Wade was decided.
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I wrote my first song when I was 54 years old.
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It is disturbing to discover in oneself these curious revelations of the validity of the Darwinian theory. If it is true that we have sprung from the ape, there are occasions when my own spring appears not to have been very far.
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I used to sit near Marilyn Monroe in the Actor's Studio. She'd get dressed up because that was her identity. Sad. Those cameras wouldn't leave her alone. She didn't know where to hide.
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I joined the army on my seventeenth birthday, full of the romance of war after having read a lot of World War I British poetry and having seen a lot of post-World War II films. I thought the romantic presentations of war influenced my joining and my presentation of war to my younger siblings.
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I always wrote. I wrote from when I was 12. That was therapeutic for me in those days. I wrote things to get them out of feeling them, and onto paper. So writing in a way saved me, kept me company. I did the traditional thing with falling in love with words, reading books and underlining lines I liked and words I didn't know.
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Modern theory is about objects lower than man; even stars, being common things, are lower than man.
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All my films are somewhat experimental, they are all, each one, taking a certain amount of risk, but there's always the basic assumption that we should be able to appreciate the cinema as much with the mind as we can through emotional empathy. Sometimes it works, sometimes it doesn't.
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The dialogue about sustainability is about a change in the human trajectory that will require us to rethink old assumptions and engage the large questions of the human condition that some presume to have been solved once and for all.
