Gerald Rudolph Ford Jr. Quotes
Quotes to Explore
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Everybody now seems to be talking about democracy. I don't understand this. As I think of it, democracy isn't like a Sunday suit to be brought out and worn only for parades. It's the kind of a life a decent man leads, it's something to live for and to die for.
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Every step of progress the world has made has been from scaffold to scaffold, and from stake to stake.
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Freedom is never granted; it is won.
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It is not true that I dictate what should be done. There is a dialogue.
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Boxing, in the most general terms, is a poor man's sport. All you have is your hands to make a living.
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I like to write with a lot of emotion and a lot of power. Sometimes I overdo it; sometimes my prose is a little bit too purple, and I know that.
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Respect for women was a very important part of my upbringing.
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I've never been someone who needs a lot of takes or enjoys a lot of takes. I like the fast thing of it.
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As a queen, I speak about unity and respect. I think that is the most important thing.
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If I can put it together, I've got an opportunity to win.
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Don't use words too big for the subject. Don't say 'infinitely' when you mean 'very'; otherwise you'll have no word left when you want to talk about something really infinite.
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I wasn't a very good student in elementary school and had a hard time with reading and writing.
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I think one of my first jokes - in the black community, there's people who have jokes about skin tone. People like, 'You so black, you purple.' 'You so black, you gotta smile so we can see you at night.'
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Novelists who pretend to understand what keeps them scribbling are really just guessing. A profound, unmet childish need to be acknowledged? Maybe. It hardly matters, though. The termite that asks itself why it keeps chewing risks becoming sluggish and inefficient, as does the writer who grows self-conscious in the middle of chapter five.
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I am extremely privileged to serve Rhode Island in the United States Senate, and that is my only goal and aspiration.
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When I'm putting some communication out on Twitter or Facebook or Instagram, I think that it's helping me, my brain, you know, because it's always somehow stimulated by people who are sending things to me. And it works both ways. It's great. My brain is very happy about it.
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I don't know how to play evil.
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I move countries every three or four years. I was born in London, and we lived in Canada. Then we lived in Saudi Arabia until the Gulf War broke out, when we were forced to leave. Then we hop-scotched for a while from Holland back to Canada back to Saudi Arabia. Then there was D-day, so we had to get out again.
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I knew that if we were going to actually defeat Harry Reid, we had to have a candidate who would offer a sharp policy contrast. Someone who would not just pay lip service to limited government principles, but had a solid record of voting that way time and again. I'm that candidate.
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It is the job of artists to open doors and invite in prophesies, the unknown, the unfamiliar; it’s where their work comes from, although its arrival signals the beginning of the long disciplined process of making it their own. Scientists too, as J. Robert Oppenheimer once remarked, ‘live always at the ‘edge of mystery’—the boundary of the unknown.’ But they transform the unknown into the known, haul it in like fishermen; artists get you out into that dark sea.
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Frankly, I've never felt voting to be all that essential to the process.
