Zaha Hadid Quotes
If I wanted to do clothes or if I wanted to make a building or design a choreography, you are able to do that - they are all under a similar kind of design umbrella.
Quotes to Explore
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When you get to the point where you know the material so well and you know the character so well that you can just sort of play off of whoever your reader is - that's the best feeling at an audition.
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When you love someone so much that you are in pain when you are apart it ends up being destructive. I never want to be in that place again.
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I converse with my dog through ESP.
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Origin stories are really important to me. I just like that sort of stuff and I feel like it makes a lot of sense to the guys, who they are. If you don't have that stuff, it's kind of a one dimensional version of it.
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One way to reduce the need for layoffs would be to cut back on hours, spreading the available work among more employees.
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My first published work was when I was 19, in 'Playgirl.' It was an odd experience but exciting.
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I have five horses. My first was a professional jumper named Santos. I got him when I was 18.
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I sometimes wonder how we're short of cod. There's gonna be a load deep down that are hiding. But it's a good reason to put the price up, and it means a load of people will have haddock. They should tell people they're running out of all sorts. Make 'em panic a bit.
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I tell my students, even if you are an opinion journalist, your opinion should be based on facts.
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My mother is incredible. I mean, still is today.
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I am not a great theologian. I know there is a theological concept called invincible ignorance in which a strong enough faith binds you to any facts to the contrary.
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I have lots of passions - gardens, art, music and reading. I have eclectic taste and read a huge variety of books.
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Beauty is in the heart of the beholder.
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She told me that she would support me regardless of what I decided, but I'm so glad that I actually got to be a kid before having to grow up. My mom knows best about this kind of thing.
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I'm getting rid of this idea that you want people to like you. I'm making decisions on what feels right to me. To act in a more carnal way. That's my challenge.
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One Hundred Year Starship really is about the idea that is we pursue an extraordinary tomorrow; we'll build a better world today.
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When I go back to Texas, I travel the state, and I see people all the time who come up to me, men and women across Texas, and they grab me by the shoulder, and they're afraid. They say, 'Ted, you know, I just lost my health insurance. I got a child with diabetes. I'm scared. Please stop this from happening.'
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I came from a dance background, so that's what I did my whole teenage years. I was at the dance studio a lot. It just becomes your social scene and part of your life.
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The first 10 years of my professional life had only to do with running away from my father. He was a wonderful cabinet-maker, and me being the eldest son, I had to take over his shop, his profession and so on and so on. I tried to escape by going to art school and then going on to industrial design and then interior design.
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Leave this world a little better than you found it.
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It didn't matter that I wore clothes from Sears; I was still different. I looked different. My name was different. I wanted to pull away from the things that marked my parents as being different.
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The unifying thread through all these different aspects of music business is just my attraction toward working with sounds and designing new scary, evil, dark sounds.
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I guess maybe I try to make movies that are closer to real life than are many Hollywood movies. But I still try to stay within a commercial narrative, a contemporary American vernacular.
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If I wanted to do clothes or if I wanted to make a building or design a choreography, you are able to do that - they are all under a similar kind of design umbrella.
