Jazzie B (Trevor Beresford Romeo) Quotes
We were being put somewhere interesting from being involved with analog, to working with digital. Those two worlds just collided and it felt great! That was probably the key inspiration in terms of me going on to not just making dub plates for my sound, but doing the unobvious and "selling out" to the masses. I subsequently got a record deal because of that.
Quotes to Explore
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'Heroes' really changed the game for me in a way that nothing before it had.
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Did anyone ever have a boring dream?
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I survived only a year in Berkeley, partly because I declined to sign the anticommunist loyalty oath.
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My retiring days are behind me – they're going to have to throw me out now.
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I didn't actually begin professionally acting until I was 30.
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When I was very young I knew that I wanted to be in show business. I knew that I wanted to be an entertainer.
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When you look at the lyrics of 'Sometimes When We Touch,' it's really very much an adolescent song.
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I have a superhero complex. If I see anything bad happen, I run towards it, rather idiotically because, after all, what could I do?
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When you go somewhere like Kenya and you see how the children don't have pencils and pens, and all of these things are considered luxuries, and what a privilege they see education as and how hungry they are to learn, I wanted to give my brother and sister long lectures. That definitely stayed with me.
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If there is one lesson for U.S. foreign policy from the past 10 years, it is surely that military intervention can seem simple but is in fact a complex affair with the potential for unintended consequences.
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It was instilled in me that the money I was given was not to be lost or spent on any other purpose.
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On the first day of school, my father told me I'd be the most popular girl and everyone would love me and want to be my friend. It wasn't so, but it gave me an enormous amount of confidence.
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Cultural change is the statistical product of the separate behavioral responses of large numbers of human beings who cope as best they can with social existence.
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There are networks and executives who are willing to take risks on vastly different material, and as an actor, there are some really juicy roles to sink your teeth into.
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I always try to stay aggressive. I always use my strengths and always work on my weaknesses to get better. That's just who I am.
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For me, music gives a voice to fashion.
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Just as Pollock used the drip to meld process and product, Richter 'found' and used the smudge and the blur to ravish the eye, creating works of psychic and physical power.
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As somebody who's been writing about this subject for getting on twenty years now, it's astonishing how the climate has changed in the last five years.
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I grew up in Philadelphia.
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I never have anything to talk about.
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My first obsession was actually sports. I was a very good handball goalkeeper. With special permission, I played in the premier league in Germany before I was even old enough.
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I have a need of silence and of stars. Too much is said too loudly. I am dazed. The silken sound of whirled infinity Is lost in voices shouting to be heard.
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We were being put somewhere interesting from being involved with analog, to working with digital. Those two worlds just collided and it felt great! That was probably the key inspiration in terms of me going on to not just making dub plates for my sound, but doing the unobvious and "selling out" to the masses. I subsequently got a record deal because of that.
