Dawn Ostroff Quotes
I feel a particular sense of responsibility when you're taking something from the magazine directly and putting it in video. You can't be too flat. You need to have personality. You can't just scream out to the viewer. You need to have a fresh take on something or have a new look or have an interesting style, or be so raw that it resonates and is authentic. I think authentic is a good word. It's overused, I know, but I think it comes across in the video medium. If you can make a video authentic, it comes across.
Quotes to Explore
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I have worked really hard on my game, but I think my mother has been a real pillar of strength. She has prayed a lot, sacrificed a lot for me. You know, she hasn't seen me bat so far. When I am batting, she is praying... mothers are like that, aren't they?
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I'm having a good time. Managing my things takes a lot of time.
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I went into acting as psychotherapy, and it's still a work in progress.
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A lot happens in 20 years.
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People want to help me. They want the best for me. I always say thank you to people when they try that. I never get mad.
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Few things are as essential as education.
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We need another revolution in the Arab world. We need an education revolution. If there's one thing we need to focus on, it's redesigning our educational systems.
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I try to write in the mornings, as soon as I'm up and caffeinated, and to stay in the chair as long as I can be productive.
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I always wanted to be a snake. Every time I saw a snake on TV. I'd always say 'Why not me?'
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The sign of a good society is where talent is respected.
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But can I tell the genuine-article Italian from the poseur Italian? No. To me they all seem like poseurs.
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I only make movies to finance my fishing.
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In our school you were searched for guns and knifes on the way in and if you didn't have any, they gave you some.
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It takes people being alone in front of the computer at three in the morning to write opinions about movies, apparently.
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Republicans working in leadership and the trenches are largely old, white, male, out-of-touch, out of ideas, technology averse, and living in the past.
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Microfinance initiatives are very high-touch models. The loan officer meets with local groups of borrowers every week, they share tips and techniques. There's a lot of training and learning that goes on, which adds to the cost of the model.
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I love the journeys of research and discovery their development takes me on. I see prints as less 'decorative' than many might, and more fundamental to a garment's core.
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My goal is never to push anyone to do anything other than think.
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Writing is like playing golf - you have to keep working at your swing.
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There is nothing, under present conditions, that can be more easily and exactly reproduced than a technically good black-and-white photograph, and it is utter rot to burden those interested in them with irrelevant biographical trivia and pet longwinded theory.
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The more alive we feel, the more we can contribute to the lives of others.
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I get depressed at airports.
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I grew up with horses when I was a kid in Argentina. I like them. I respect them. I'm careful around them. You never know what they're going to do. They're endlessly interesting. I've had some good acting partners that were horses over the years.
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I feel a particular sense of responsibility when you're taking something from the magazine directly and putting it in video. You can't be too flat. You need to have personality. You can't just scream out to the viewer. You need to have a fresh take on something or have a new look or have an interesting style, or be so raw that it resonates and is authentic. I think authentic is a good word. It's overused, I know, but I think it comes across in the video medium. If you can make a video authentic, it comes across.
