B. B. King (Riley B. King) Quotes
Singing about your sadness unburdens your soul. But the blues hollers shouted about more than being sad. They were also delivering messages in musical code. If the master was coming, you might sing a hidden warning to the other field hands . . . The blues could warn you what was coming. I could see the blues was about survival.
Quotes to Explore
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I think in every picture that I've ever made. Everything that I've done torments me. I really would like another chance except I'd be too embarrassed to ever really try to do them again and no one would want to see the same movie just done differently.
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Both chronic, long-term poverty and downward mobility from the middle class are in the same category of things that America likes not to think about.
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Healthy is in the eye of the beholder.
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The thing that I have to stay away from is sweets. I have a horrible sweet tooth. It's just the worst.
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If you're not careful as an actor, you can find yourself, at a certain point, a little bit bored.
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If people hate me they hate me.
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I'm one of those people if you ask, 'What's your favourite song?' I'm going to give you five. I don't have just one favourite.
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I tried to take seriously the idea that if you tortured language you might arrive at some new truth. Later it became clear to me that I was retreading ground by fighting the literary battles of the 1950s and 1960s, and that I was actually a bit bored by some of the books I professed to love.
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I've had completely gray hair since, like, 30.
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The business aspect is one of the most important things about having a music career, because every choice you make in a management meeting affects your life a year-and-a-half from now.
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My buildings are not particularly expensive. It is not a tin shed. If you want a tinny car, you pay for that.
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A mass of dust, world's momentary slave, Is man, in state of our old Adam made, Soon born to die, soon flourishing to fade.
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When I was first exposed to the films of Ingmar Bergman, I found them frank and disturbing portraits of the world we live in, but that was not something that displeased me. They were beautiful. I thought people would respond to my plays the way I responded to Bergman's films.
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Growing up, there were TV shows that were very funny but very traditional. Classic things like 'Fawlty Towers,' obviously, and 'Blackadder' were pretty traditionally shot. And then there were the ones that start to break the mold or be really ambitious. The ones that spring particularly to mind would be 'The Young Ones.'
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The person who grieves suffers his passion to grow upon him; he indulges it, he loves it; but this never happens in the case of actual pain, which no man ever willingly endured for any considerable time.
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Although I'm not from London originally: I moved down here when I was 16, so it's played a part in my life. It's where I've lived for all that time.
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You aren't going to leave me alone are you?
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The key is a good story. If you have a good story, you have enough emotional beats that you can hit.
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The camera is a remarkable instrument. Saturate yourself with your subject, and the camera will all but take you by the hand and point the way.
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First and foremost, you have to make the movie for yourself. And that's not to say, to hell with everyone else, but what else have you got to go on but your own taste and judgment?
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I share the opinion of those of broader vision, who see in the signs of the time hope of humanity for peace.
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Jacqueline Carey has created a postmodern fable of enormous scope and force. Santa Olivia is at once a cautionary tale of people caught in a web of lies and creeping terror, and a love song to the beauty and power of being different. At the novel's heart is the kind of grace Carey is known for: an illumination of the strength that lies hidden inside all of us.
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I respect women but do not necessarily believe that women need to compete with men.
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Singing about your sadness unburdens your soul. But the blues hollers shouted about more than being sad. They were also delivering messages in musical code. If the master was coming, you might sing a hidden warning to the other field hands . . . The blues could warn you what was coming. I could see the blues was about survival.
