B. B. King (Riley B. King) Quotes
Quotes to Explore
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There is nothing people can throw at me to say: 'Do this, do that.'
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I am enjoying my face changing, as well as realizing that at the same time, as you get older, the machine isn't as well-oiled as it was.
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The economics of baseball are the big problem. The big clubs make a lot of money and the little clubs don't.
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I don't think you should always stay calm in a tense situation, because you might not ever confront the problem. Maybe it's better to actually let yourself be tense - and find a solution.
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When I pull into a city and I rent a car and it's Nashville, or it's London, or I'm driving in the taxi to the hotel, and on comes one of my songs, it's like, 'Oh my God, they're still playing these songs on the radio.' And you still feel tearful and very grateful that somebody still likes these songs that you made up.
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My sin as a painter is that I just want to paint anything I want to paint - and repaint.
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There is none who cannot teach somebody something, and there is none so excellent but he is excelled.
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I went from buying my own condominium and a car for myself when I was 17 on 'The Facts of Life' to not being able to pay my rent. I was at the unemployment office all the time. I had to sell my record collection just to make ends meet. And then I started getting these voice-over jobs.
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If someone had protected the HTML language for making Web pages, then we wouldn't have the World Wide Web.
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The end of secrecy would be the end of the novel - especially the English novel. The English novel requires social secrecy, personal secrecy.
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I weighed 25 stone, and I didn't stand nine feet tall, so the weight didn't sit well on me. As big as a house? No. I was as big as an estate.
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I used to love the feeling of running, of running too far. It made my skin tingle.
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I had just turned 10-years-old when the Japanese attacked Pearl Harbor and plunged America into World War II.
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I look around my house, and everything except the kids and dogs was made in China. And I'm not sure about the kids. They have brown eyes and small noses.
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I think that each woman, whatever age, needs to recognize something good in her body. Someone has beautiful legs, someone has beautiful hair, someone else has beautiful decolletage or a beautiful waist or beautiful hands. Everyone has something great.
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To expect the unexpected shows a thoroughly modern intellect.
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The Tea Party people say they're angry about socialism, but maybe they're really angry about capitalism. If there's a sense of being looked down upon, it's that sense of failure that's built into a system that assures everyone they can make it to the top, but then reserves the top for only a tiny fraction of the strivers.
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I listen to music constantly while writing.
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People who don't know me sometimes call me 'Mademoiselle.'
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My part had three lines. I said, 'You look wonderful, sir,' three times. All my friends said, 'Do not take that role - and do not understudy. You'll regret it the rest of your life.' I did both of those things, and I've never regretted it once.
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It's weird because I am accessible to people on Twitter, and I can choose to read good things or mean things, and people can reach out to me directly and tell me how much they hate me or love the song. It's a very strange new paradigm as an artist to find yourself among this kind of connectivity.
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My mom really let us do our own thing and play with different trends, and my sister was a little older, so she had all the beauty tricks. I would stuff things like rolled-up toilet paper into my hair to get volume, or do the reverse, and I'd lie on my back, and she'd use an actual iron to straighten it.
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I don't like anybody to be angry with me. I'd rather have friends.
