Denise Hunter Quotes
For am I now trying to win the favor of people, or God? Or am I striving to please people?
Quotes to Explore
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It's always convenient for certain people to heap accusations on Israel.
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With songs I almost see the images, see the action, and then all I have to do is describe it. It's almost like watching a scene from a film, and that's what I go about trying to catch in a song.
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We tend to think of extremes of emotions as registering, for example, you have to cry or laugh or get angry. But for the most part, we find it difficult to read each other most of the time. If you walk through the street, most people are pretty difficult to read. But they're thinking inside.
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People give us credit only for what we ourselves believe.
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Underground people pay a desperate toll finding out things nobody else has discovered yet. We run around like headless chickens looking for the next cultural fix to spiral around in before it gets appropriated somewhere else and becomes something it never was. There's this sort of one-upmanship in the underground.
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There are evil people, and I don't even want to hear those guys speak.
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We lived in a flat that you could pretty much fit in my current kitchen. No wonder people drink! I can't understand why they don't throw themselves off the balconies.
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My job is to bring out in people what they wouldn't dare do themselves.
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See, when I went to the Olympics in '76, the gymnastics people knew that I was good, but everybody else, after I won, everybody was like, 'Where's she coming from? Who is she? What is Romania?'
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The way I see it, if people truly love my music, they will support me in some way down the road.
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I find in film acting that however many years you have done it for, you can feel totally relaxed and at ease with the people around you, absolutely wonderful, then roll camera and a little part of you goes, 'Ugh'. It is learning how to manage that.
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Intellectuals know how to answer the question, 'What God do I believe in?' not only through the question of 'What God do I abhor?' Intellectuals can also answer the question of 'What flag do I wave?' without having to answer the question of 'What flag do I burn.'
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I've had people turn up to book signings with knives, with guns.
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The so-called citizen journalism is the spewings and rantings of very drunk people late at night. It is fantastic at times but it is not going to replace journalism. … Most of the blogging is too angry and too abusive. Terrible things are said online because they are anonymous. People say things online that they wouldn't dream of saying in person.'
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In a sense, these people were the vanguard of a well-to-do and well-educated proletariat of the future, boxed up in these expensive apartments with their elegant furniture and intelligent sensibilities, and no possibility of escape.
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Some people do need to grow up, but I don't think I'm there yet. I don't think I'm ready to do grown-up things and be a grown-up.
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I started writing my own songs from the time I was a little kid. I would write my own lyrics to other people's songs that I heard on the radio and take whatever song and make it about fairies and angels - whatever little girls sing about.
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There were some television sets back in the '50s, but they were expensive. People would gather at the rich guy's apartment down the hall to watch Milton Berle on his 10-inch black-and-white screen.
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I don't want to have one hit, one song of the summer, and then have me disappear forever. I really want my things to last, and I want my songs and my bodies of work to resonate with people. I want to hit people - at least make a dent in them. I want to make a mark somehow.
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It is scary to write - period - for me, but once you get past the idea that it's scary to write, I still can only be who I am. As a writer, my job, to me, is to expose myself - to really sort of dig in and find out who I am and then put it on the page.
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During my six years with them Dr Garnet Davey (subsequently Research Director) constantly supported me and, I have no doubt, fought many battles on my behalf to keep the initially controversial programme going.
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Audiences have taught me how to sing better and entertain better.
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I can't quite remember the exact moment when I became obsessed with writing a play about the seemingly endless war in the Democratic Republic of Congo, but I knew that I wanted to somehow tell the stories of the Congolese women caught in the cross-fire.
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For am I now trying to win the favor of people, or God? Or am I striving to please people?
