Barbara Kruger Quotes
Quotes to Explore
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I promised my mom that if, after a year of putting 150 percent into my career it didn't work out, I would go back to school. I never did go back.
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In school, I was Martha in 'Who's Afraid of Virginia Woolf?' I loved that.
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But I can't say that I didn't like John Hammond's performances often better than the originals.
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I really believed that my songs were good enough for the whole world to listen to. I had fans from America or the U.K. who would be like, 'Oh my God, I love your music'.
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I would like to write a movie and, if it wasn't too crazy, also direct.
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I like to think of myself as a storyteller.
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Music is an art that touches the depth of human existence; an art of sounds that crosses all borders.
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It is only through such real-life daily struggles and challenges that a genuine sensitivity to human rights can be inculcated. This is a truth that is not limited to school education: it applies to all of us.
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Acting and making art is just something I love to do, and I love to tell stories that feel important, honest and necessary.
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I rode my bike to school every day from age five to age fourteen. It was a small town - you could go anywhere.
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There should be a law that no ordinary newspaper should be allowed to write about art. The harm they do by their foolish and random writing it would be impossible to overestimate - not to the artist, but to the public, blinding them to all but harming the artist not at all.
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I'm not a religious person, and I'm not too interested in being a part of a religion, but I do like having some sort of communal gathering, and having some sense of peoples.
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Whipping and abuse are like laudanum: you have to double the dose as the sensibilities decline.
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I always did TV commercials and made great money to put myself through school. That became guest starring roles on TV shows.
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I really hated school. I had the feeling I was losing a lot of time.
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I like drums, really, if they're under control.
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Scientists - the crowd that for dash and style make the general public look like the Bloomsbury set.
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A lot of politics in art is just institutional critique, which, in my opinion, is not all that political.
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I see artists bored by light-without-heat, irked at gigantic galleries' pushing out art-as-product, leaving behind the over determined for the undetermined, guided by interior voices and bringing us out of a long tunnel to new blueness.
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And I don't consider Broadway the acropolis of theatrical art. I mean Broadway is commercial - that's what it is. It's expensive seats and a lot of them that have to be filled every night. Off-Broadway and off-off Broadway as far as I'm concerned is in New York the pride of New York theater.
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Life in the ultimate analysis has taught me one enduring lesson. The subject should always disappear in the object.
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If you are charged with this responsibility of enhancing interrogations, or using soldiers to enhance interrogations to find Saddam, and you're above the law for all practical purposes, you might try some unusual techniques. Now we know that, in fact, they did.
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I have always said that I cannot allow the child within me to die. It's kept me alive.
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Teaching at university isn't like teaching in an art school.
