Zhang Ziyi Quotes
There was one very special scene at the end of the film. My character, Zhao Di, has been sick. She wakes up and her mother tells her that the man she loves has come back from the city and had spent the day by her bedside.
Quotes to Explore
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I think a strong dollar is the result of policies, but I don't think the strong dollar is in and of itself a policy.
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When U.S.-based editors and columnists parachute into a news storm, it is often the stringers who keep us out of trouble, helping us glimpse the complexity behind the headlines.
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I want to be here for a long time, so I am going to do everything I have to do to be here. And I want to walk my daughter down the aisle and give her away to somebody some day. I want to make sure I am still here to make sure my two young sons become men.
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We expanded primarily for our people - if you don't offer more opportunities, you don't keep good people.
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I think there's something very dark in the South African psyche. I think we live a lot of the time in a state of a very low-grade civil war; the levels of violence in South Africa are extremely high. In a way, the civil war that never happened is being played out in a covert way, so we live with a lot of very ugly things.
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I live in the suburbs, the final battleground of the American dream, where people get married and have kids and try to scratch out a happy life for themselves.
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I don't want to be a bust.
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I like to look at 'A Place in the Sun' every now and get inspired by it.
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If you ever meet an actor who's the child of actors, they'll never tell you that they wanted to be a star. But what I did realise early on was that I just wanted to be in that tribe.
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The goal in life is to be solid, whereas the way that life works is totally fluid, so you can never actually achieve that goal.
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Avoid war, because that always pushes human beings backward.
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The pace of innovation may slow down or speed up depending on the appetite in the public markets, but the constant progress of technology doesn't really ever stop. There's always opportunities for new ideas and creative people to go build great things. I'm always interested in learning about those kinds of opportunities.
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You have giant Facebook, which wants people to be more engaged, and they also want to grow and trade different things, including content.
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I'm competitive. I'd love another chance to be part of a Stanley Cup championship team. That'd be awesome.
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Yeah, I don't like, um, I'm not interested in rock 'n' roll piano. I find it a little grating.
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It's enough to make a small shift within and a small action in the world. Collectively these have a huge effect.
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My characters hope for better lives.
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Originally, I was in both software and in online computing. The first innovation really was sort of at that time that we're marrying the telephone and the computer so that people wouldn't have to drive to the computer center. We didn't have $1,000 computers.
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Most of my Muslim friends are politically liberal in a lot of senses. They are far more open-minded than the Christian circles I grew up in, which are, you know, actually scarier. That said, too, I still identify with the teachings of Jesus. I don't think they resemble or relate to modern-day Christianity.
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I just hope when my body goes, or when my mind does, I have the guts to end it the way Hemingway did. I don't want anybody wiping drool off my chin.
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I kept thinking I would be spending my life up to my elbows in shampoo.
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I'm from the disco era where everybody thought they were John Travolta... What song is going to get me on the dance floor? Anything from 'Saturday Night Fever,' and you're up there like a demon.
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The only way I get a leading role in a studio picture is if Ryan Gosling can't play it, which is clearly the case with 'Selma.' If this was a non-colour-specific character, it wouldn't be me. It just wouldn't.
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There was one very special scene at the end of the film. My character, Zhao Di, has been sick. She wakes up and her mother tells her that the man she loves has come back from the city and had spent the day by her bedside.
