Aleksander Ceferin Quotes
If we have two Azerbaijani teams playing in London nobody would complain. They would come and play without any problems.
Quotes to Explore
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That's the joy of getting to be an actor - getting to play all kinds of different roles and showing so many different sides of yourself.
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It is when we all play safe that we create a world of utmost insecurity.
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If you get a guy that can play a couple positions, it helps you out a real lot.
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I didn't know Albert back then - I just learned to play that way. He and I were the only guys that played left-handed. Then left-handed people came from every direction.
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I tell inmates all the time, 'Don't complain about your grind. Do your time.'
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I dreaded having a boring life when I grew up. And I certainly can't complain about being bored.
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The debt we owe to the play of imagination is incalculable.
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When I was a lad in my 20s, as carefree and debonair as any other underpaid newspaperman, I happened to be a golfer who could flirt with par fairly often, and I was adventurous enough in those days to play any known or unknown thief who showed up at Goat Hills for whatever amount he fancied.
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I wanted to play incredibly challenging, multifaceted characters. Because we are all a puzzle.
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The villains that I play, I always think that they are grounded, wonderful people with enormous intellects who are very exciting to spend an evening with. I never see them as bad people.
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I wanted to play rocking country music, and when I started out in the late Seventies, it took me a couple of albums to figure out how to do that.
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I was the last one to screen test for The Hardy Boys. I'd like to play that's not as clean-cut as Frank Hardy. I play him as straight as possible.
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You play it the way you always play it. You look for matchups, and you go through your progression, and you throw it to the guy who's most open.
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Center is a very tough position to play.
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The '70s were a time of turmoil and turnover. But I grew up here. I always wanted to play here.
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I found it really hard for a couple of years to do any writing because all I wanted to do was play the fiddle. From the minute I took it up, I just couldn't put it down.
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I have never had the opportunity to play in England, so I know little about it.
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We used to have to arrange things around the dialysis. I would have to plan where to play so I could be back in time, and couldn't go too far.
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I'm not a theater rat, so I never got a theatrical agent and did a play. I came really close though.
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When work becomes play, and play becomes your work, your life unfolds.
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It can't be the bus ride there takes longer than the games we play. That's what usually happens.
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Friends and I used to play an invented parlor game called the Worst Records Never Made. The point was to hypothesize the most stunningly inappropriate albums we could imagine—pairings of artists and material so horrific that even the famously dunderheaded major labels would hardly consider making them. Most of our inspirations have been lost to memory, but the notion of discs like “Yodel with the Berlin Philharmonic,” “The Three Tenors Sing Gilbert and Sullivan,” and—my favorite—“The Chipmunks Present Your Favorite Spirituals” can still inspire what P. G. Wodehouse used to call “the raised eyebrow.
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The uninitiated are those who believe in nothing except what they can grasp in their hands, and who deny the existence of all that is invisible.
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If we have two Azerbaijani teams playing in London nobody would complain. They would come and play without any problems.
