John Prine Quotes
Even when I was coming up in the singer-songwriter ranks during the early '70s, I thought that people who were stylists and stuff shoulda still been up on the pedestal. I mean, it's fine to recognize people who write songs, but it kinda got out of hand, you know?
Quotes to Explore
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I don't really like to explain my songs.
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Many of the songs on Undertow were written at the time Opiate came out.
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I really believed that my songs were good enough for the whole world to listen to. I had fans from America or the U.K. who would be like, 'Oh my God, I love your music'.
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So many songs are just a wink to the audience, but people take them seriously. 'My Humps?' C'mon!
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I love writing songs.
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The biggest influence? I've had several at different times – but the biggest for me was Bob Dylan, who was a guy that came along when I was twelve or thirteen and just changed all the rules about what it meant to write songs.
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A letdown is worth a few songs. A heartbreak is worth a few albums.
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I don't have many easy songs.
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My biggest advice for girls – and this is something that I wish I could have known when I was younger – is to have thick skin. It's something that you definitely develop when you get older, but when I first started, I was so obsessed with pleasing everybody. I wanted everybody to like me and to like my songs.
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A lot of my solo albums were produced by different people who had their idea of what songs I should do, and they had me doing a lot of ballads.
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I don't want anybody to not recognize how appreciative I am of the volume of e-mails I get.
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I'm a lover of songs.
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My pump-up songs before I compete are not the usual. They're more girly songs. I love 'The Climb' by Miley Cyrus. It's about the journey and savoring every moment. I have 'The World's Greatest' by R. Kelly on my playlist, too.
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My inspiration comes from God, so I always have to be open, kind of like being an antenna. I like to write songs people love.
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I have two favorite songs. My first is called 'Dance of The Robe' and it's a very powerful number where she is feeling the pressure from her people to take on the responsibility of leading them.
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I believe you have to live the songs.
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It's so amazing to hear a crowd of people singing one of your songs. It's the best feeling.
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I first knew Laurie Lewis by her considerable reputation as a fiddle player and a writer of songs. When an opportunity came along to sing with her I seized it. Getting to know her as a singer and a person has been pure pleasure. Her voice is a rare combination of grit and grace, strength and delicacy. Her stories are always true.
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I don't write about anything I don't want to write about. I like to think I could write about anything pretty much that I chose to. I have been asked to write songs about specific things, and I've always been able to come up with the goods.
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Set lists are tough because you come up with this structure of how the songs are going to go from one to the next, but at the same time, you have to be spontaneous and take requests and change the set list at the drop of a hat.
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I think what bothers me so much of the time, is they take the data and theory and distort it. They must know they're distorting.
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I meditate and I also think about meditation. Which is funny. I think about Maharishi, about just the idea of meditating. It gives me something.
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Treat your career as a business. Invest your earnings into good tools that can enhance your business. Film businesses are the same as non-film businesses. Ploughing part of your earnings back into your filmmaking business would grow career exponentially.
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Even when I was coming up in the singer-songwriter ranks during the early '70s, I thought that people who were stylists and stuff shoulda still been up on the pedestal. I mean, it's fine to recognize people who write songs, but it kinda got out of hand, you know?
