Volodymyr Zelensky Quotes
Quotes to Explore
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I have been offered a lot for my work, but never everything.
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Nashville is the place where I first realized how impossible it is to look at someone and know what is inside them, what special something they possess.
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If you look at my career, doing albums with Norah Jones, Justin Timberlake, Gucci Mane and Lil Wayne or KRS-One and Jean Grae, I can't be pigeonholed.
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I don't like things like little sandals that look fragile. I like to look strong and commanding.
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Life's a bit like mountaineering - never look down.
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The best way to begin is to say: Balthus is a painter of whom nothing is known. And now let us have a look at his paintings.
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I think anything that is expressed directly and as honestly as possible will last.
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What you do on a dinosaur expedition is you hike and look at the ground. You find bones sticking out of the dirt and, once you see something, you dig.
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I never exercise, and I eat everything.
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I mean, like, I can go in a room and say, look, 'Watchmen' should be at least 15 minutes longer than 'Batman.' I mean, that's, like, any geek will tell you that.
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BaoHaus is idiosyncratic, creative, and artistic. My restaurant doesn't look like a Taiwanese restaurant.
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Look, there is a sort of old view about class which is a very simplistic view that we have got the working class, the middle class and the upper class, I think it is more complicated than that.
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The thing you notice here after America is how refreshingly ordinary people look because they haven't had their chin wrapped around the back of their ears.
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I prefer being as far from the centre of celebrity as possible.
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Every congressional committee that does an investigation has documents, papers and things that it collects in the course of that investigation - the backup to everything it does.
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But who cares? I can honestly look back and realize that everything happened for a reason. Everything that fell apart has fallen back into place beautifully and magically.
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The biggest research of all when I do a character is self-examination. You look at yourself and you ask, 'How am I similar to this person and how am I different?'
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You can always tell an actor by the bored look in their eye whenever someone else is talking.
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I've noticed if you look too far ahead, it only works negatively on you.
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One of my biggest fears as a director is that everything is taking too long on camera. The actor saying their lines, the silence between lines, the length of time it takes to walk from A to B. So you try it at different speeds and then see what sticks in the edit room.
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One thing I love about being back is English rain. Looking out of the window now, it's raining, and the sky is dark; I love it. To me, those are reassuringly English things. I love it when it rains.
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The American public is a very specialized public. The reason it is taken as a realistic film is because inside the fable, I've put that kind of reality in. And it could easily be called, instead of Once Upon a Time in America, Once Upon a Time There Was a Certain Kind of Cinema. Because it was also an homage to cinema.
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I'm over the hill, maybe even the whole mountain range, but I don't see it that way even one little bit.
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Look at us — everything is possible.
