Vernon Reid (Vernon Alphonsus Reid) Quotes
Quotes to Explore
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I think every fight is different based on who is fighting.
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Fiction connects: past and present; the great and the small; the surface with the depths. Fiction brings out the innermost, invisible springs of life that cannot be revealed in factual narratives.
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My dream role is Jack Johnson, the first black heavyweight champion.
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Acting is merely the art of keeping a large group of people from coughing.
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I had this maroon 'Lion King' tracksuit that my mum couldn't take off me. I wore it until the sleeves ended at my elbows and the trousers ended at my knees.
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My father started with nothing and is a self-made man. No matter what I do with my life, I can never match his accomplishments.
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Knowledge is sometimes superfluous: when we need it, we have it not.
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I was only 23 and just out of college when I filmed 'Casualty' and so nervous, but it was brilliant fun. I was really lucky, and it really helped my career.
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In Europe, the big word is tolerance. You tolerate everything.
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There is such a polarized discussion of economics among people like analysts, columnists, bloggers; often, they end up just saying that views other than their own should not even be discussed. I find that frustrating. There is no intellectual progress without considering lots and lots of different views.
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See, it's no in between: you're either free or you're a slave.
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He who is not capable of enduring poverty is not capable of being free.
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I think Stalin was afraid of Roosevelt. Whenever Roosevelt spoke, he sort of watched him with a certain awe. He was afraid of Roosevelt's influence in the world.
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I want to win championships.
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We went into this with the utmost respect for the source material, but we recognized the need for change.
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We don't look at records, but if we can make history in this club, we will. It's not only about Chelsea, this league.
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When people come to see my stand-up, they get a chance to see my characters interact with each other. I enjoy pushing my characters to the limit. No matter how far out there I go, I look for things that make the characters human.
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As our economy advances, our government and our laws need to modernize, too.
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For years we've been playing and writing songs that sound happy. And yet if you listen, the words are all like "My brains are falling out of my ears; would someone please pull me together?"
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Well, obviously I wanted it to sound as original as possible. I suppose the influences that we had were probably from the actual power point of view we wanted to be like the Who. Vocally we wanted to be like the Beach Boys, whatever was good at the time.
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My last album as J. Tillman, 'Singing Ax,' that was really a premeditated death rattle of the aesthetic precedent I had set. I realized I wasn't creating spontaneously; I was enforcing all these parameters. I was too self-loathing or something, and there was this obvious dissonance between my conversational voice and creative voice.
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Chronic dissatisfaction is how you sense that you are living a lie.
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PE is the sound of naked defiance.
