Pablo Picasso Quotes
When I enter the studio, I leave my body at the door the way the Moslems leave their shoes when they enter the mosque, and I only allow my spirit to go in there and paint.
Quotes to Explore
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I love fashion as an art; I love fashion as costume, as a character. I don't like dictates and the phoniness of appearance.
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Working with the cast of 'Glee' was inspiring. To be around a group of kids who work so hard and love what they do is so refreshing.
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If you like a man and he likes you, you should get married as fast as you can. Otherwise, you both are going to change your minds. There's plenty of time for that after marriage.
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You should only have so many accessories. You have to make sure you have the right ones at the right time.
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Jim Thompson understood something about the serial killer before the psychology caught up to it, which is that they are detached to it and they do want to get caught.
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I like to give my inhibitions a bath now and then.
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When I was a child - in wartime, pre-television - books were my life.
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There is evidence that some of al Qaeda's nuclear efforts over the years met with swindles and false leads.
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Kennedy was a man who liked writers and even I got invited to the White House.
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One should know their body types well to experiment with trends.
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I had a terrible bout of acne after I turned 30.
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It would be a dream to be the face of boxing, to be No. 1.
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The race of man, while sheep in credulity, are wolves for conformity.
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Even when EPA subjects its science to peer review, the agency often stacks the deck of supposedly independent advisory panels by including members who are EPA grant recipients.
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I would like to promote internal change in Iran - which is more likely if we don't fuse Iranian nationalism with Iranian fundamentalism.
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Television audiences are ruthless - look what happened to 'The Killing.'
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I think stories get better the more people try to amuse themselves.
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The signs, proofs, and evidences of Divine unity are incalculable.
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Terry Farish seems to breathe the reader into the emotional spaces of war, exile, and refugee life. The Good Braider is a delicate stunning exploration of its young protagonist's life and heart.
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I was shying away from acting for the longest time - because of having such big shoes to fill.
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My problem was I let myself become known before I knew myself.
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Enjoyment of the landscape is a thrill.
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The secret of language is the secret of sympathy and its full charm is possible only to the gentle.
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When I enter the studio, I leave my body at the door the way the Moslems leave their shoes when they enter the mosque, and I only allow my spirit to go in there and paint.
