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Painting isn't an aesthetic operation; it's a form of magic designed as mediator between this strange hostile world and us.
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In life you throw a ball. You hope it will reach a wall and bounce back so you can throw it again. You hope your friends will provide that wall.
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A painting is not thought out in advance. While it is being done, it changes as one’s thoughts change. And when it’s finished, it goes on changing, according to the state of mind of whoever is looking at it
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I work with few colors, what creates the illusion of quantity is that they fell in the right place.
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To me there is no past or future in art. If a work of art does not live in the present, it must not be considered at all.
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I consider a work of art as a product of calculations, calculations that are frequently unknown to the author himself.
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In every photographer there was a painter, a true artist, awaiting expression.
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...this bull is a bull and this horse is a horse... If you give a meaning to certain things in my paintings it may be very true, but it is not my idea to give this meaning. What ideas and conclusions you have got I obtained too, but instinctively, unconsciously. I make the painting for the painting. I paint the objects for what they are.
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Basically the French are all peasants.
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To me there is no past or future in my art. If a work of art cannot live always in the present it must not be considered at all. The art of the Greeks, of the Egyptians, of the great painters who lived in other times, is not an art of the past; perhaps it is more alive today than it ever was.
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I try to paint what I have found and not what I look for. In art, intentions are of little importance.
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One cannot be a sorcerer all the time. How could one live?
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I'm a joker who has understood his epoch and has extracted all he possibly could from the stupidity, greed and vanity of his contemporaries.
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The goal I proposed myself in making cubism? To paint and nothing more... with a method linked only to my thought... Neither the good nor the true; neither the useful nor the useless.
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Abstract art is only painting. And what's so dramatic about that? There is no abstract art. One must always begin with something. Afterwards one can remove all semblance of reality; there is no longer any danger as the idea of the object has left an indelible imprint.
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A good picture, any picture, has to be bristling with razor blades.
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The people no longer seek consolation in art. But the refined people, the rich, the idlers seek the new, the extraordinary, the extravagant, the scandalous. I have contented these people with all the many bizarre things that come into my head. And the less they understand, the more they admire it. By amusing myself with all these games, all this nonsense, all these picture puzzles, I became famous... I am only a public entertainer who has understood his time.
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What other movement determines the S line? Its aesthetic efficacity has long been noted by artists.
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If one knows exactly what is going to be done, why do it?
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You mustn't expect me to repeat myself. My past doesn't interest me. I would rather copy others than copy myself. In that way I should at least be giving them something new. I love discovering things.
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How could Michelangelo have seen his David in a block of marble? Man began to make images only because he discovered them nearly formed around him, already within reach. He saw them in a bone, in the bumps of a cave, in a piece of wood. One form suggested a woman to him, another a buffalo, still another the head of a monster.
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I have a real passion for bones. I have many others in Boisgeloup: skeletons of birds, dog's and sheep's heads. I even have a rhinoceros skull.
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Enough of Art. It's Art that kills us. People no longer want to do painting: they make art.
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When you're really young, you're young for life.