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What other movement determines the S line? Its aesthetic efficacity has long been noted by artists.
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I don't think I'm wrong when I say that the most beautiful objects of the "stone age" were made of skin, fabric, and especially wood. The "stone age" ought to be called the "wood age." How many African statues are made of stone, bone, or ivory? Maybe one in a thousand! And prehistoric man had no more ivory at his disposal than African tribes. Maybe even less. He must have had thousands of wooden fetishes, all gone now.
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I understand how you could see something in the root of a tree, a crack in the wall, in an eroded stone or pebble. But marble? It comes off in blocks and doesn't evoke any image. It does not inspire.
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What does it mean for a painter to paint in the manner of So-and-So or to actually imitate someone else? What's wrong with that? On the contrary, it's a good idea. You should constantly try to paint like someone else. But the thing is, you can't! You would like to. You try. But it turns out to be a botch... And it's at the very moment you make a botch of it that you're yourself.
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The only pictorial matter that is of interest to me is the matter and sentiments brought about by the work itself.
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If you are trying to find something, it means you haven't got it. And if you find it simply by looking for it, that means it's false.
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In every photographer there was a painter, a true artist, awaiting expression.
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Cubism is not a reality you can take in your hand. It's more like a perfume, in front of you, behind you, to the sides, the scent is everywhere but you don’t quite know where it comes from.
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I don't say everything, but I paint everything.
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People are always asking me to sign my old canvases. It's ridiculous!
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The artist must know the manner whereby to convince others of the truthfulness of his lies.
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One cannot be a sorcerer all the time. How could one live?
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People want to find a 'meaning' in everything and everyone. That's the disease of our age...
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I'd like to live like a poor man with a lot of money.
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In art intentions are not sufficient and, as we say in Spanish, love must be proved by deeds and not by reasons. What one does is what counts and not what one had the intention of doing.
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What I find horrible nowadays is that people are always trying to find a personality for themselves. Nobody bothers about what you might call a painter's ideal... the kind that's always existed... No. They couldn't care less about that.
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If you're stuck in a painting, then stop and draw something else. Draw a flower and put your love into that flower. Then your powers will come back again.
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Through education comes understanding. Through understanding comes true appreciation. All children are artists. The problem is how to remain an artist once he grows up.
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Formerly pictures used to move towards completion in progressive stages. Each day would bring something new. A picture was a sum of additions. With me, picture is a sum of destructions. I do a picture, then I destroy it. But in the long run nothing is lost; the red that I took away from one place turns up somewhere else.
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In life you throw a ball. You hope it will reach a wall and bounce back so you can throw it again. You hope your friends will provide that wall.
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We are all born children- the trick is remaining one.
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For those who know how to read, I have painted my autobiography.
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Action is the foundation of all success.
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Museums are just a lot of lies, and the people who make art their business are mostly imposters. We have infected the pictures in museums with all our stupidities, all our mistakes, all our poverty of spirit. We have turned them into petty and ridiculous things.