Jesse Kramer Quotes
I don't believe in setlists unless it's with a band I haven't played with before or a situation like that … I've never used a set list. I expect my band, or people playing music with me, to know what the songs are if I start going to the eighth note. They need to know that.
Quotes to Explore
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Every great work of art has two faces, one toward its own time and one toward the future, toward eternity.
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In the Gulf War, U.S. Marine Corps wheeled vehicles were killing Iraqi T-72 tanks.
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People often try to disguise televisions. I always think that makes it worse. It is what it is!
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I do not want to be a long-term CEO.
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I got a chance to work with Mel Brooks on two of his films: Silent Movie and High Anxiety.
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Economics has paid a terrible price for its dalliances with the Keynesian and neoclassical theories.
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When I was young, 'Scarface' was my favorite film. Al Pacino is my hero. I want to work with him.
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What I wear is constantly evolving. I am really big on comfortable clothes. I love soft, loose-fitting clothing that has some edge or something new/fresh to it.
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I shall participate, I shall contribute, and in so doing, I will be the gainer.
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It is the nurse that the child first hears, and her words that he will first attempt to imitate.
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Producers want to put their music behind revivals but I don't think that's a good trend for the theater at all.
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I don't like being in debt, and I wouldn't borrow money for anything.
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The scene was attempted a second time, up on top of the fort, and cameras didn't even roll. Michael, though he wasn't admitting it, wasn't sure how to shoot the scene.
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English, as a subject, never really got over its upstart nature. It tries to bulk itself up with hopeless jargon and specious complexity, tries to imitate subjects it can never be.
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I do understand how hate eats at the soul and how to purge yourself of hate.
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I like challenges, I like that fear you feel for something new, and with a new director, I think it's very important to always support new projects.
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I always grew up with, 'Question authority.'
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My first singing role was as Susanna in a school production in a shortened form of Mozart’s The Marriage of Figaro. I loved to sing and I was given lots of encouragement by a wonderful music teacher Mrs Ann Hill and by my parents who suggested I go to drama school.
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The point is that I am such a big fan of Puccini and that Butterfly is the most difficult and complete role that you can imagine. Just to sing it with a good voice is not enough: it asks tears from your soul. I am very emotional on stage, and the music is so tender that I suffer for real when I am singing it. So I cannot do many performances.
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She with her eyes my heart does bind, She with her voice might captivate my mind.
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I like the idea of working my way up. I don't feel impatient to immediately jump into something that could literally bring down a studio if I don't do it well.
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I don't believe in setlists unless it's with a band I haven't played with before or a situation like that … I've never used a set list. I expect my band, or people playing music with me, to know what the songs are if I start going to the eighth note. They need to know that.
