Michael Eavis (Athelstan Joseph Michael Eavis) Quotes
I wanted to hang on to all that tradition; I wasn’t going to leave anything behind. It was important for me to be grounded, and I also was building the farm up. My socialism and the peace group all linked in with my Methodism.
Quotes to Explore
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I think it is important to ask ourselves as citizens, not as Democrats attacking the administration, but as citizens, whether a world power can really provide global leadership on the basis of fear and anxiety?
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Television can be a little tricky in terms of finding roles that feel fully flushed out, which is why I love being in the theater so much, because the roles tend to be really on the page.
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I was thinking about it: so many of my stories are about my family life, not about being related to a lot of famous people. That's my grandma, that's my mama, my daddy, my aunt, my uncle, my stepdaddy. I'd probably tell them even if they weren't well known.
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Shakespeare's villains are fabulous because none of them know that they are villains. Well, sometimes they do.
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Ask not what your teammates can do for you. Ask what you can do for your teammates.
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When you're buying paintings, it feels grown up.
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If you go through life, and you don't find the beauty in an unexpected place, then you really have a sad existence.
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I'm constantly maxing out my Gmail account, and that is hard to do.
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No one politician should be allowed to judge the guilt, to charge an individual, to judge the guilt of an individual and to execute an individual.
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For Texas, a wise and prudent administration in the commencement of her national existence will be universally expected, imposing upon me the difficult and delicate task of setting in complete and successful operation a political body based upon principles so hazardously asserted and so gloriously maintained.
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I would be the worst acting coach ever, because I have no idea what I'm doing.
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I think I always try to be accommodating and open and available and proving for my director. I love to give as many takes as they want. I love to give them as many choices as they want.
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As a child, my mother told me lots of fairy stories, many her own invention. She, too, tended to reverse the norm.
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I know what it feels like to be a victim of domestic violence.
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I'm not being really intelligent in my film choices; I'm just landing the opportunity when it comes.
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Many of the less prolific killers' stories go unheard because they simply don't make good books.
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A lot of the early Washed Out material was done on a couple of synthesizers that did most of the work, but that's the great thing about synths - you can recreate sounds or make an entire record with just one piece of gear.
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When I was a child and came with my elders to Galway for their salmon fishing in the river that rushes past the gaol, I used to look with awe at the window where men were hung, and the dark, closed gate.
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I've seen schizophrenics who are so hopeless, you couldn't cheer them, and their lives are miserable and they end up as suicides. That's not right.
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When my film went to the Venice Film Festival and won the best script writing, the jury [prize], it didn't go to my head. I know how many black filmmakers that I am operating with whose name will never be mentioned. But I'm part of them in that silent existence.
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Silence is as deep as eternity, speech a shallow as time.
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Who I love reading is Jordan Mechner, who wrote 'Prince of Persia.' He put all his journals while he was writing 'Prince of Persia' online.
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I wanted to hang on to all that tradition; I wasn’t going to leave anything behind. It was important for me to be grounded, and I also was building the farm up. My socialism and the peace group all linked in with my Methodism.
