Taiye Selasi Quotes
When writing screenplays, it's a matter of remembering to leave off the page anything and everything that doesn't appear on the screen.
Quotes to Explore
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Since Auschwitz, we know what man is capable of. And since Hiroshima, we know what is at stake.
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There is an expression now that is commonly used about these so-called internal conflicts which are not really internal, because they have connections to the outside world.
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Everybody gets dressed every day, and whatever you decide to get dressed in that morning is communicating something.
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Cultivate your curves - they may be dangerous but they won't be avoided.
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Our fresh technical resources have furthered the disintegration of solid masses of masonry into slender piers, with consequent far-reaching economies in bulk, space, weight, and haulage.
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I'd love to do a movie where I actually get to be kind of quirky and odd and dorky and all that stuff. My parents would like to see some movies where I'm not in peril. They'd appreciate it.
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No offense to music - thank you for Entertainer of the Year and all that stuff. But if you're a father or a mother, there's nothing that beats being a parent, and that's the best time of my life right there.
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I still find it hard to believe that the whole era of jazz is over.
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I myself feel that I'm a well-rounded player and got a lot better defensively and without the puck as time has gone on.
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I am that guy who will say things that people seem to think is a little edgy, a little racy.
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One of the things I had to learn as a writer was to trust the act of writing. To put myself in the position of writing to find out what I was writing. I did that with 'World's Fair,' as with all of them. The inventions of the book come as discoveries.
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I'm just so grateful for the 10 years that I had in Sri Lanka when it was in the middle of a war and I was getting shot at, because now and again I remember glimpses of those times, and I just go, 'Wow, I'll never, ever see that again in my life. And I'm never gonna feel that, and I'm never gonna feel for a human being like that.'
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I don't necessarily like being defined by my profession.
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I had seen images of Crystal Renn and Sophie Dahl growing up, but I didn't really know about the plus-size fashion industry or how lucrative it was or, like, that it was changing or that I was even invited.
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Beware of the company you keep. See that you associate with the right type of people.
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I am grateful that I'm working, but I also have to say I've worked really, really hard and had to fight a lot.
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I adore anything Michael Alexis writes.
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I think it is widely agreed that Carl Steinitz, over the 50 years he taught at Harvard, has been one of the most important figures in influencing the theory and practice of landscape architecture and the application of computer technology to planning.
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Decades later I would look into my father's eyes and try to reach past the murkiness of Alzheimer's with my words, my apology, hoping that in his heart he heard me and understood.
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Sartre said that wars were acts and that, with literature, you could produce changes in history. Now, I don't think literature doesn't produce changes, but I think the social and political effect of literature is much less controllable than I thought.
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So many paintings have hidden meanings or need wall texts, but my work is not in that category.
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What's important is to get into shape and then not to have to worry about it. I don't want to get on stage and not being able to do something. Not being physically fit doesn't work for me.
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There's no need for a female character that does things like a male character; that's not what makes interesting female characters in my view.
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When writing screenplays, it's a matter of remembering to leave off the page anything and everything that doesn't appear on the screen.
