P. C. Cast Quotes
And then something truly bizarre happened. I could feel his touch through our eyes. I couldn't look away from him.
Quotes to Explore
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I wanted my children to have the same exposure to the water I had. My strongest memories of Northeast Harbor are going in a small Whaler with my dad, looking for osprey.
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To me, the funnest part of wrestling is evolving. If you stay the same all the time, you're eventually going to be left behind.
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I can't speak for other people, but for me, I feel like gone are the days that you need to come out of a closet. I never felt like I was in a closet. I never did. I always felt comfortable with who I am and the decisions I made.
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Now that the House of Commons is trying to become useful, it does a great deal of harm.
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You're always close and you never get that big romantic lead.
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A very intimate sense of the expressiveness of outward things, which ponders, listens, penetrates, where the earlier, less developed consciousness passed lightly by, is an important element in the general temper of our modern poetry.
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I said I wanted to strap guns on an El Camino. When I brought it up at a meeting, they said great. I realized there's no adult in the room.
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There are co-ed schools in Saudi, but those are American or British. My dad, of course, believed in the good old CBSE Indian school system and thus, my younger brother Ishmeet and I were put in an all-boys CBSE school. My mother could move out only if she wore a burkha.
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There are too many senior citizens and good residents in Chicago who are sick and tired of having to walk several blocks out of their way when they leave their homes just to avoid the gangs and drug dealers on the street corner.
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Fortunately, human forgetting follows a pattern. We forget exponentially. A graph of our likelihood of getting the correct answer on a quiz sweeps quickly downward over time and then levels off.
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Traditional copyright has been that you can't make a full copy of somebody's work without their permission.
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If there was no Black Sabbath, I could still possibly be a morning newspaper delivery boy. No fun.
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My mother was an actress and my voice teacher, an incredible voice teacher. My biological father is an actor, and my stepfather, who raised me along with my mother, is a psychotherapist. I was always supported in creative ventures.
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I don't sleep well. I rehash everything in bed. The mind's still working.
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There's nothing in Hollywood that's inherently detrimental to good art. I think that's a fallacy that we've created because we frame the work that way too overtly. 'This is Hollywood.' 'This isn't Hollywood.' It's like, 'No, this is actually all Hollywood.' People are just framing them differently.
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The wide world is all about you: you can fence yourselves in, but you cannot forever fence it out.
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I think that people are most comfortable when they can put you in a box - and that's very easy to do that when someone can put you in more serious roles. I'm not blaming them for that - it's just up to me to show people what I can do.
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When I was a kid, I wasn't making my choices based on anything other than 'Did I want to work that day?' or 'Did being in school sound more fun?' And I don't remember ever reading a script and thinking, 'Is this going to be a fun part to play?'
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I think the most important thing is that everybody is happy creating, and doing what they want to do, and have really great relationships with each other.
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The manager has his eye on the bottom line; the leader has his eye on the horizon.
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When I read 'Dream of Red Mansions,' I was really struck by the fact that it was built differently from a lot of genre works. Specifically, a lot of the events that should have taken centre-stage - wars, social upheavals - were seen entirely through the eyes of the women of a Chinese household.
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I hate prologues because they're kind of gimmicks to suck you in.
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And then something truly bizarre happened. I could feel his touch through our eyes. I couldn't look away from him.
