Pablo Casals Quotes
I used to think that eighty was a very old age. Now I am ninety. I do not think this any more. As long as you are able to admire and to love, you are young.
Quotes to Explore
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I've no regrets at all, but I still think at times that I would have loved to play in England. You live football over there; it's a great culture. People respect you more; it's more difficult to find respect in Spain. There is more criticism here.
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We were these arty punks from Hollywood. I considered myself an intellectual.
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If I had an ego as big as the Eiffel Tower, would I have won this many collective trophies? I know people like to talk about it. And O.K., I am not going to answer every story. But maybe I will let my collective trophies speak for themselves. I don't know many other footballers who have won as much. Do you?
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Prohibition, like so many other policies imposed from the moral high ground, typically by those who do not drink, disproportionately affects the poor who resort to illegally brewed alcohol when they want a drink, not infrequently leading to their death, and are more likely to be harassed by the police.
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An explanation of cause is not a justification by reason.
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I still have a young attitude.
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I have great admiration for the way the Americans do business. They drive a hard bargain, but once they do it, they stick to their contracts.
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You change the world by being yourself.
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Working with Bill Cosby was incredible. I was lucky to be a part of that.
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So many people love sci-fi, and they're so loyal.
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Coming from a smaller place always made things feel more personal, which is really what it's all about.
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These days, most nature photographers are deeply committed to the environmental message.
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All we have is our vote. But it's powerful.
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I like naturally occurring film grain, and what happens to film when it's under- and over-exposed.
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Actors aren't all the same. They have very different skills. There are actors of intellect who are very thoughtful about everything they do... and then there are actors of instinct who don't know what they're doing until the cameras roll... My father was actually quite thoughtful about what he did, while my mother was much more instinctual.
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When writing 'Give and Take' and 'Originals,' the predominant emotion for me was curiosity.
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I'm quite intuitive about what I pick. Often it's to do with what I've just done and how I'm feeling.
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The Israeli public is frustrated with the way it is portrayed abroad.
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As a modern woman, there are things I take for granted, and that shows up in the way I sit, the way I walk, the way I think, and what I know to be possible.
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The universe had an odd sense of fairness; it took away things one did not want to give up, and then gave things one did not ask for.
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My first film was a movie shot in 1974. I was 18 on that movie set. It was called 'Big Bad Mama.' I turned 19 on the next movie I worked on, which was a black 'Blazing Saddles.' I worked in the art department. It was called 'Darktown Strutters.'
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I was born in Middletown, Connecticut, while my dad was getting his Ph.D. in ethnomusicology and anthropology at Wesleyan University.
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I used to think that eighty was a very old age. Now I am ninety. I do not think this any more. As long as you are able to admire and to love, you are young.
