Ta-Nehisi Coates Quotes
There was the normal high that comes from the hormones of youth, that fresh sense of being unchained. But also there was the omnipresent feeling that It could go down. In those moments-which back then were all of our moments-your neurology was always code red.
Quotes to Explore
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Music was a way of rebelling against the whole rah-rah high school thing.
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I always get sick of these conversations where people are so obsessed with pixels, with high definition, and even with technology in general. I find it just dull and heartless. And so I wanted to use only the worst machines.
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Making fun of born-again Christians is like hunting dairy cows with a high powered rifle and scope.
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The dogmas of the quiet past are inadequate to the stormy present. The occasion is piled high with difficulty, and we must rise with the occasion. As our case is new, so we must think anew and act anew.
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All I try to do is create an atmosphere that seems comfortable enough, that it removes tension and everyone feels free. If they feel free then behaviour happens, small moments happen and that's what ultimately works the best for me.
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Malicious attacks on the Soviet Union produce a natural feeling of indignation.
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Little moments can have a feeling and a texture that is very real.
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If I would go up on a high note, Eddie would want a low one. That's how petty the situation had become.
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When I'm on the red carpet, most people say, 'Who the hell is that?' It's downright embarrassing.
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We are on red alert when it comes to how we are perceiving ourselves as a species. There's no desire to be an adult.
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Self-respect: the secure feeling that no one, as yet, is suspicious.
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I created my MySpace page in eighth grade, because that's how all my friends talked to each other, so I made one, too. Then, all of a sudden, my friends started putting my songs on their profiles, and then their relatives, their friends in different states did.
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I'm exchanging molecules every 30 days with the natural world and in a spiritual sense I know I am a part of it and take my photographs from that emotional feeling within me, rather than from an emotional distance as a spectator.
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It had always been a dream of mine to come to New York to work. Coming to New York and looking for work is one thing, but coming to New York and already having a job and feeling like you are already part of the city has been an amazing experience for me.
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Right out of high school I never had the fear of getting beat, which is how most people lose.
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I would say both Western psychology and Eastern paths would recognize that we get caught up in feeling like a separate self and an unworthy self.
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I was always interested in the arts as a child - drawing, painting, and piano - but acting became a favourite. I was a major theatre geek in high school - if I wasn't in the drama room at lunch rehearsing, I'd be in the art room finishing up some type of project.
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Whenever you're writing something that's reflective, you have to put yourself through some sort of ordeal just to understand the way you're feeling.
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It's not like I sit there and feel the same way I did with iPhone where I say, 'Oh my God, Microsoft didn't aim high enough.' It's a nice reader, but there's nothing on the iPad I look at and say, 'Oh, I wish Microsoft had done it.'
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For some reason, they always gave me a fat suit in high-school productions. If there was a character who needed to be robust, they gave me a fat suit, and I put on a silly voice.
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Seattle was built out on pilings over the sea, and at high tide the whole city seemed to come afloat like a ship lifting free from a mud berth and swaying in its chains.
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There are just so many young designers now.
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Urbanites may picture farmers as hip heritage-pig breeders returning to the land, or a struggling rural underclass waging a doomed battle to hang on to their patrimony as agribusiness moves in. But these stereotypes are misleading.
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There was the normal high that comes from the hormones of youth, that fresh sense of being unchained. But also there was the omnipresent feeling that It could go down. In those moments-which back then were all of our moments-your neurology was always code red.
