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One cannot, at once, claim to be superhuman and then plead mortal error. I propose to take our countrymen's claims of American exceptionalism seriously, which is to say I propose subjecting our country to an exceptional moral standard.
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There was no United States before slavery. I am sure somebody can make some sort of argument about modern French identity and slavery and North Africa, but there simply is no American history before black people.
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The soul is part of the body. The mind is part of the body. When folks do physical violence to black people, to black bodies in this country, the soul as we construe it is damaged, too - the mind is damaged, too.
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The FHA literally drew up the redlining map and then basically distributed - I'm sorry, the Home Owners' Loan Corporation actually did it, and then distributed to banks who used that as policy to determine how they would lend and who they would lend to. The racism in the system was pervasive and total.
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When I grew up in West Baltimore, anything associated - and I'm talking about my childhood - with white people 99 percent of the time was something malevolent, like it was an explanatory force for something bad.
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For me, my writing benefits from my experience.
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The lives of African-Americans in this country are characterized by violence for most of our history. Much of that violence, at least to some extent, you know, done by the very state that's supposed to protect them.
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When you know that people know who you are, you are always working - and not the work you want to do. You are sort of performing, because you know they are looking - or at least glancing - at you.
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The relationship between violence and nonviolence in this country is interesting. The fact of the matter is, you know, people do respond to riots. The 1968 Housing Act was in large response to riots that broke out after Dr. Martin Luther King was killed. They cited these as an actual inspiration.
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Obama's presence opened a new field for writers, and what began as curiosity about the man himself eventually expanded into curiosity about the community he had so consciously made his home and all the old, fitfully slumbering questions he'd awakened about American identity.
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When you read a comic book, there's a space between what's happening on the panel and what you have to literally see in your mind. That's not true of movies, where you see everything.
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There's a kind of optimism specifically within Christianity about the world - about whose side God is on. Well, I didn't have any of that in my background. I had physicality and chaos.
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I just think that if one is going to preach nonviolence and one is going to advocate for nonviolence, one's standard should be consistent.
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People know things and have a remarkable capacity to act in their individual immediate interests all the time.
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Outside of hip-hop, it was in comics that I most often found the aesthetics and wisdom of my world reflected.
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I was 24 when Samori was born. His mom was 23.
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There is some group of Americans who are really, really curious to understand how we ended up at this point, where every week it seems like you can turn on your TV and see some sort of abuse being heaped on black people.
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I think Barack Obama was born into a home not just to a white woman and white grandparents, but a white woman and white grandparents who shockingly told him it was okay that he was black and that he should not be ashamed of it and that he should, in fact, be proud of it.
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For nearly a century and a half, this country deluded itself into thinking that its greatest calamity, the Civil War, had nothing to do with one of its greatest sins, enslavement. It deluded itself in this manner despite available evidence to the contrary.
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Eddie Conway is central to my first memories. My parents used to take me to, when it was open, the Baltimore city penitentiary to see Eddie Conway - I was talking to my dad about this recently - from the time I might have been one or two years old. I mean, literally, my first memories are of black men in jail, specifically of Eddie Conway.
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I don't attempt to make people uncomfortable; I think that my standards in terms of art and journalism always have necessitated my discomfort.
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Breitbart media is named after the same gentleman who basically framed Shirley Sherrod during the Obama administration.
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I don't want them to read what I'm writing and say, 'I think that's right,' and agree with me. I want them to read something and then walk away and be haunted by it.
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I am always surprised people are surprised that people haven't read things.