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Yes, because when you're in love, you are shy.
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And I think maybe all women, if they just had a chance, would be romantic and believe in love and not sex. And men believe in sex and not love.
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I don't like to sell my finest pieces.
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But I was very, very unhappy because my mother was very charming and generous, but to me, very dominating.
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Certainly I was relatively a refined person. No way a tramp.
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First of all, I'd like to say here the fact that I'm not naturally a craftsman has made me work very hard.
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Over and over I'm on the point of giving it up.
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You see, I was never stage-struck the way most girls were.
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Here in America we're doing the most wonderful crafts.
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And then, of course, most potters, they go in for earth tones and subdued things, and I like color.
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A rich poet from Harvard has no sense in his mind, except the aesthetic.
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You know, acting is very fascinating. But being an actress is not, because you become so concentrated on yourself.
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My life is full of mistakes. They're like pebbles that make a good road.
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The second time I was there I met Marcel Duchamp, and we immediately fell for each other. Which doesn't mean a thing because I think anybody who met Marcel fell for him.
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I was in a convent for a year.
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You know, God, the power that makes life, whatever it is, had just to make two things, masculine and feminine, for all this mischief. And made them so there is this entirely different point of view about love and sex.
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I happen to believe that there is an afterlife.
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And several galleries – two had asked me and I said no, because I didn't want to leave things on consignment.
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There's so much more to life than that, though I think that acting is fascinating because you can forget your own sorrow as you act and become somebody else.
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Sex is energy.
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I'm not too interested in books about India.
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Well, I don't go out much socially. I don't enjoy going out.
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And I have exposed myself to art so that my work has something beyond just the usual potter.
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And then a great thing in my life was going to India.