Zsa Zsa Gabor Quotes
I like a mannish man: a man who knows how to talk to and treat a woman - not just a man with muscles.
Quotes to Explore
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Live TV would terrify anybody.
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Interviews make me so nervous - I can't get a sentence out of my mouth.
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Curves are the essence of my work because they are the essence of Brazil, pure and simple.
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The true self seeks release, not constraint. It doesn't want to be corseted in a sonnet or made to learn a system of musical notations. It wants liberation, which is why very often it fastens on the novel, for the novel seems spacious, undefined, free.
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President Obama's over in Indonesia when guys like me were at a paper route. President Obama, I don't know what experience he had at that same age when he was in Indonesia. So I think it's hard for him to grasp that America entrepreneurial spirit.
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I would love to have been around in the Keystone Studios days.
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By the time a person has achieved years adequate for choosing a direction, the die is cast and the moment has long since passed which determined the future.
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Working with the brothers can put pressure on my voice, so I choose to do my own solo thing so I can save my voice. I couldn't do both now. The Neville Brothers is a funk band; they play loud, and I have a strong voice.
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Planning to write is not writing. Outlining, researching, talking to people about what you're doing, none of that is writing. Writing is writing.
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There was a special challenge in describing the awful childhood of a person who happens to be my own husband. It was very painful at times, for both of us.
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I'm just really, really thankful. I'm thankful to the doctors; I'm thankful to the family that donated the kidney.
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Growing up, I was always in normal public school which is very important in my eyes.
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I think there's a difference when you make fun of yourself and your own behavior, and when you dishonor or disrespect Christ. If you're making a mockery of Christ is one thing. But if you're just joking about human foibles and weaknesses, I think that's perfectly acceptable.
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I consider myself a writer who happens to write about history, rather than a historian. I was an English major in college. What I've learned about history is in the field, so to speak. Going into the archives and working with it directly.
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Films like 'Bond' fund training schemes for film technicians of the future, and working on films themselves provides a great training ground for budding directors and cinematographers. If there's no money there for films to be made, it's like a house of cards, it all comes tumbling down.
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People don't want to pay 8 or 9 dollars to go see a problem that they have in their life, on screen. They pay to get away from that. That's why they watch soap operas.
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The reason can only be this: heroic poetry depends on an heroic age, and an age is heroic because of what it is, not because of what it does.
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In the Indian film industry, especially those of us who are in mainstream cinema, we invariably play a typical hero's role. More often than not, we cater to the public perception. However, there is a latent desire in most actors to do a role where you can go all out and experiment.
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Having my own family has made me realise there's more to life than chasing the next job.
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I've decided to stick with love.
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If there is anything that a man can do well, I say let him do it. Give him a chance.
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I was raised to be an independent woman, not the victim of anything.
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I became a Communist because I fell in love with a man who was a Red and entered the Army to take care of the Fascists, and I knew it would please him if I became one.
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I like a mannish man: a man who knows how to talk to and treat a woman - not just a man with muscles.
