Patrick Chan Quotes
Quotes to Explore
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I'm a big-city boy. What I like is big cities. It's not just what I like. It's what I write about.
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I was a really big kid.
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The cobs were delivered to a big pile. We were one of the first to feed corn cobs to cattle.
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I have been mislabeled as a big advocate of low-income home ownership over rental.
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I'm not a big fan of romantic comedies, believe it or not.
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Well, I've been in several films including documentaries, but the big blockbuster, I was hired as advisor to the actors, I was trying to make Jesuits out of them.
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I'm not a big sports fan.
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The big bulk of the response to antidepressants is the placebo response.
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The Internet is so big that no one can control anything, really.
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Make big pots of soups, stews and chilis - they stretch a buck, and you can live off them for days!
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The Internet is the Viagra of big business.
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I'm a big Peyton Manning fan.
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On many occasions, an informal buffet and casual seating offer a little more intimacy than a loud gathering around a big table.
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Big doesn't necessarily mean better. Sunflowers aren't better than violets.
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I'm a big guy, but I'm really simple with the food. I'll hit the In-N-Out or just the regular buffets.
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We were big Saturday Night Live and Eddie Murphy fans.
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A thing is mighty big when time and distance cannot shrink it.
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'Sucker Punch' is a big girl power movie.
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I taught a master class in film in France, and that was a great experience because I got a chance to study the French film culture and the French film history, so to add... just to expand myself just personally and professionally was really helpful.
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I think everybody I've seen has come from some other therapy, and almost invariably, it's very much the same thing: the therapist is too disinterested, a little too aloof, a little too inactive. They're not really interested in the person; he doesn't relate to the person.
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I fell in love with the classical crossover genre when I was on AGT. I found out that I could use the microphone to establish a deeper intimacy with the audience. I did not portray an opera character; I was my true self. I would sing a four-to-five minute piece for the audience and then I could talk to them and say "Hi" to them! I would not need to act out scenes where my character was dying from tuberculosis or killing somebody else on stage, I could have a nice conversation with them.
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I really like the power of stopping the laughter and turning it to horror.
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The contemporary crime novel is, at its best, a novel of character. That's where the suspense comes from.
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I'm not a big traveller.
